John Mclean

The album was very well received, winning the 2010 Grammy Award for Best Jazz Instrumental Album!
Chick Corea and John McLaughlin share one of the great pedigrees in the music of the 20th century: they were both key sidemen on Miles Davis' seminal albums In a Silent Way and Bitches Brew. They have played together since those heady days, as a duo or as sit-in guests. Five Peace Band was Corea's idea of putting together a dream band to play all kinds of jazz, and he approached McLaughlin. Corea chose the other members in saxophonist Kenny Garrett, drummer Vinnie Colaiuta, and bassist Christian McBride…

Digitally remastered edition including three bonus tracks. In April-September 1957, John Coltrane and Mal Waldron embarked on a series of all star sessions which were issued on the albums MAL/2 and WHEELIN' AND DEALIN', with further material from the sessions appearing later on an LP titled THE DEALERS. This release contains the complete sessions including all existing material from the aforementioned LPs, plus three further Coltrane-Waldron collaborations recorded that same year.

Shortly before joining Miles Davis' group, guitarist John Scofield recorded this passionate trio set with electric bassist Steve Swallow and drummer Adam Nussbaum. Much of Scofield's playing here is quite rock-ish although he does show off his jazz chops on Jackie McLean's "Dr. Jackle." The frequently intense music has plenty of fiery moments.

Digitally remastered edition including three bonus tracks. In April-September 1957, John Coltrane and Mal Waldron embarked on a series of all star sessions which were issued on the albums MAL/2 and WHEELIN' AND DEALIN', with further material from the sessions appearing later on an LP titled THE DEALERS. This release contains the complete sessions including all existing material from the aforementioned LPs, plus three further Coltrane-Waldron collaborations recorded that same year.

British multireed player John Surman has enjoyed a long career, making significant marks in free jazz, modal, and fusion, and also developing his own distinctive blend of folk and jazz elements. His ability to bridge styles has even extended to 1999's treatment of Renaissance-era composer John Dowland's songs, In Darkness Let Me Dwell with the Hilliard Ensemble's John Potter. Coruscating is another unusual venture, with Surman and regular associate bassist Chris Laurence improvising on eight of Surman's compositions with the string quartet Trans4mation. There's a seamless beauty here, composition and improvisation becoming one. Beginning with the baroque clarity of melody on "At Dusk," Coruscating develops often dark, looming textures. While Surman has made his baritone fly, here he emphasizes intense lyricism, whether with a true, full-bodied, baritone sound or a light upper register. "Stone Flower" is dedicated to the great Ellington baritonist Harry Carney, and Surman's breathy, overtone-rich sound invokes Carney's own recordings with strings.

Four of the five selections on this CD reissue (which also includes "Tenderly") are obscure jazz originals by altoist John Jenkins, tenor saxophonist Clifford Jordan, or trombonist Julian Priester. Inspired by both Charlie Parker and Jackie McLean, Jenkins teams up with Jordan, pianist Bobby Timmons, bassist Wilbur Ware, and drummer Dannie Richmond for some bop-oriented improvising. Strange that this would be one of only two sets led by Jenkins. Although the Blue Note CD, recorded just 16 days later, gets the edge, this is an excellent effort too.