The Mosaic Select treatment has deservedly been given to Big John Patton. There are those who argue that Patton's entire catalog should have been the subject of a Mosaic box set proper. There was easily enough material for five, if not six, CDs. There are five albums collected here. His first three, Along Came John, The Way I Feel, and Oh Baby!, were recorded in 1963, 1964, and 1965, respectively. The last two on this set are That Certain Feeling and Understanding, from 1968. Missing are Blue John, his proper second album from 1963 and unreleased until 1986, Let 'Em Roll, and Got a Good Thing Goin', released in 1965 and 1966, and his post-1968 work, Accent on the Blues, Memphis to New York Spirit (unreleased until 1996), and Boogaloo.
This album is INCREDIBLE. The way Bobby Hutcherson, Grant Green and John Patton lock in on their lines is almost surreal. The selections groove, but they're also deep, and the the musicians seem to connect on a deeply spiritual level. - - This is NOT just another Jazz organ combo album. It takes a new direction - - the sound is modern and progressive… John Patton at times is earthy and bluesy and at other times, very off center and mesmerizing. Melodically the stuff he's doing is almost Coltrane-esque, however, John's style is to understate things, and play with your sense of melodic imagination. Its an interactive listen, but if you're not feeling deep, you can say, "What the heck !" and get up and dance and it'll be just as good. This is probably one of the most inspired sessions to come out of those studios.
Super 78-minute anthology of Patton's prime (1963-70) era, unfortunately released only in the U.K., drawn from nine albums. 1963's "Along Came John," and 1966's "Amanda," and the two cuts from his best album, 1965's Let 'Em Roll ("The Turnaround" and "Latona") are particular cookers, but the organ-guitar-horn groove is always solid, and the riffs basic but compelling. This is some of the best soul-jazz ever, usually featuring Grant Green on guitar, though a young James Ulmer takes over on axe for the 1970-era cuts.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Insanely wonderful – and pretty darn rare! This album by John Patton was cut during the 60s, but never issued until the 80s – and even then, only briefly – yet it's easily one of our favorite records ever by this legendary Hammond player, thanks to lots of weird twists and turns! Although the record's led by Patton, it's more in the mad style of George Braith – who plays some wonderful sax on the session, in the manner of his excellent Laughing Soul album – a Prestige Records session cut with Patton and Grant Green around the same time.