On May 15, the nonprofit record label Touched Music released John Tejada Presents Future Stars, a compilation album created by CalArts students in John Tejada’s spring 2020 music class “Advanced Electronic Music Production.” Producer and composer Tejada also contributed the original track “NYC83” to Future Stars.
Father John Misty returns with Chloë and The Next 20th Century, his fifth album and first new material since the release of God’s Favorite Customer in 2018. Chloë and the Next 20th Century was written and recorded August through December 2020 and features arrangements by Drew Erickson. The album sees Tillman and producer/multi-instrumentalist Jonathan Wilson resume their longtime collaboration, as well as Dave Cerminara, returning as engineer and mixer. Basic tracks were recorded at Wilson’s Five Star Studios with strings, brass and woodwinds recorded at United Recordings in a session featuring Dan Higgins and Wayne Bergeron, among others.
After a decade being born, Josh Tillman is finally busy dying. Mahashmashana is the sixth album by Father John Misty. It was produced by Josh Tillman and Drew Erickson. It was engineered and additionally produced by Michael Harris. It was arranged by Drew Erickson. It was performed by Josh Tillman, Drew Erickson, Jonathan Wilson, Dan Bailey, Eli Thomson, David Vandervelde, Chris Dixie Darley, Jon Titterington, and Kyle Flynn. It was executive produced by Jonathan Wilson.It was recorded and mixed at Five Star and East/West , United and Drew's House. Mahasmasana - great cremation ground, all things going thither.
The Broken Cloud is a true psychedelic experience.
This progressive-rock epic takes cues from bands such as Yes, King Crimson, and Pink Floyd. It grips you with music from both near and far, old and new, and from somewhere all-together different. From it's opening brigade of guitars, Hammond organ, and choral vocals, to its strange-even terrifying-marriages of Psychedelic Rock, Dark Ambience, Electronic Dance Music, Bluegrass, and Robert Johnson-esq Blues… You'll never be sure what's coming next! …and when the end is finally at hand you'll be lifted up into a thematic emotional high that you won't soon forget…
With signs of a resurgence of interest in big bands in the late 1950s, Maxwell Davis came up with the idea of producing a series of albums for Crown Records recorded in the finest stereophonic sound, in a tribute to such legendary bandleaders as Duke Ellington, Count Basie, Lionel Hampton, Woody Herman, Charlie Barnet and Stan Kenton, among others. For this purpose, he wrote all new arrangements and reimagined and conducted a number of tribute bands to perform the music with the signature spirit that made their original leaders famous. The personnel for each album consisted primarily of prominent members and soloists who performed with the original bands, with additional valuable contributions from some of the best jazz musicians working in the Hollywood and New York studios.