This double-disc set assembles Jon Anderson's own tapes from the New Life Band Song of Seven tour of 1980 on their Sheffield stop (December 3 for those who document such things). The nonet band includes Morris Pert, Ronnie Leahy, Lee Davidson, Jo Partridge, and Barry DeSouza…
John Roy Anderson (born 25 October 1944), known professionally as Jon Anderson, is an English-American singer and songwriter best known as the former lead singer of the progressive rock band Yes, which he formed in 1968 with bassist Chris Squire. He was a member of the band across three tenures until 2008. Anderson was also a member of Yes Featuring Jon Anderson, Trevor Rabin, Rick Wakeman…
11/14/2011 - London, UK - As a follow-up to their critically acclaimed CD 'The Living Tree' from 2010, YES legends Jon Anderson and Rick Wakeman prepare to release 'Anderson / Wakeman - The Living Tree In Concert Part One' on Gonzo Multimedia on November 28th. The CD was recorded during the duo's British tour in 2010 and comes housed in a sleeve design by Mark Wilkinson who was also responsible for the design of the artwork for 'The Living Tree'…
The show begins with an abbreviated version of "Long Distance Runaround," with just Anderson and his acoustic guitar. "Yours is No Disgrace" is unrecognizable, as Anderson turns it into an alternative acoustic rock song, which has its own sense of urgency and takes a classic Yes song that he's done who knows how many times, and turns it on its head- a very interesting cover of his own work…
.While many Jon Anderson fans knew he had it in him to do something very light and airy and perhaps even without vocals (Olias of Sunhillow essentially led the way), the fact that it's something this light and airy is likely to come as a bit of a shock. Anderson presents the listener with a soundscape made up of long, sustained notes and drifting chords, a construction in which the few melodies present take minutes to work through – there's far more in common with the Hearts of Space catalog here than with much of Anderson's prior work, though the Vangelis influence is to be felt, too (especially on the quarter-hour "New Eire Land")…
Inspired by the artwork of Roger Dean and the writings of Ver Stanley Alder, Jon Anderson developed an entire story around the idea of an interstellar exodus from Sunhillow, writing this album around the narrative (named for the spaceship's architect, Olias). The idea may seem overly ambitious, but Anderson fills the record with enough magical moments to delight fans of Yes' mystic side…
This album documents a 1996 solo concert by Yes singer Jon Anderson, and finds the helium-voiced prog-rock legend tackling a wealth of tunes from the Yes canon as well as some songs from his collaborations with Greek keyboard wizard Vangelis…
1000 Hands: Chapter One is the fifteenth studio album by English singer-songwriter and musician Jon Anderson, released March 2019. The album originates from sessions for a project to have been called Uzlot (a northern English pronunciation of "us lot") that Anderson had been recording in Big Bear, California, with Brian Chatton in around 1990. Chatton wrote most of the music, played keyboards and also sang. Anderson asked his then Yes bandmates Chris Squire and Alan White to play on the project too. At the time, Yes were preparing for a tour and Anderson put the master tapes in his garage and, as he has recounted, gave them very little thought for many years. In 2016, producer Michael Franklin contacted Anderson about using the tapes and finishing an album. Further recordings followed at Solar Studios in Orlando, Florida. Along with some newly written material, the final result is 1000 Hands.
The '90s version of prog-rock meets the real thing on 1995's Deseo Remixes. Global Communication, Trans-Global Underground, Future Sound of London, and Deep Forest each contribute remixes of the world music project by Yes' Jon Anderson. The Deep Forest and Global Communication tracks are the highlights.
Excellent historywise, poor soundwise. A welcome '65 live recording by a band famous for including a young Jon Anderson at harmony vocals, though you wouldn't know by hearing only. Typical repertoire for the era, quite competent playing, excellent guitar parts sometimes sounding well ahead of their time…