Jon Young Thropugh Native Eyes

The work in this collection is a result of an occasional collaboration between myself, Leo Abrahams and Jon Hopkins. The two of them are gifted young player/composers whose work, like mine, is intimately connected to the possibilities and freedoms of electronic music. Over the last few years we've worked together several times, enjoying exploring the huge new sonic territories now available to musicians. Mostly the pieces on this album resulted not from 'composition' in the classical sense, but from improvisation.

Continuing his long-running and highly respected series for Ace, spanning year by year since the germination of his 1966 volume for both Ace and Faber Books, Jon Savage serves us up another of his spectacular insights into popular culture, this time for the years 1983 to 1985.

From Lines to Life: A Comprehensive Guide to Advanced Sketching Techniques

After famously playing their second show at Woodstock in August 1969, David Crosby, Stephen Stills, Graham Nash, and Neil Young spent the rest of the year touring and writing songs for what would become CSNY’s 1970 debut,Déjà Vu.Live at Fillmore East, 1969is a newly discovered multi-track recording of the band’s September 20, 1969, concert at the historic Fillmore East in New York City captures an early moment from that first tour.Including both Acoustic and Electric sets, as well as hit tracks such as "Suite: Judy Blue Eyes", "Our House", "I've Loved Her So Long", etc. Stephen Stills and Neil Youngcompiled and mixed the original eight-track concert recordings at Sunset Studios to keep the production entirely analog.After famously playing their second show at Woodstock in August 1969, David Crosby, Stephen Stills, Graham Nash, and Neil Young spent the rest of the year touring and writing songs for what would become CSNY’s 1970 debut,Déjà Vu.

The romantic noir visual novel The Restless Sheep & The Lone Wolf returns to Kabukicho in this unhinged simul-quel. Me, Azami, and the whole ragtag gang rampage through five all-new short stories!

Continuing his long-running and highly respected series for Ace, spanning year by year since the germination of his 1966 volume for both Ace and Faber Books, Jon Savage serves us up another of his spectacular insights into popular culture, this time for the years 1983 to 1985. Born out of the ashes of post-punk, there were plenty of experimental singles during the early part of this period: Siouxsie’s ‘Swimming Horses’, Shriekback’s ‘Lined Up’, Soft Cell’s ‘Heat’, Echo & The Bunnymen’s ‘Gods Will Be Gods’, and the Smiths’ ‘Girl Afraid’ – a perfect kitchen sink scenario. Pete Shelley and Scritti Politti went the electronic route to great effect, while the Special AKA delivered the perfect riposte to ‘Hard Times’ (all those ripped jeans) and having fun on the dole with the under-appreciated ‘Bright Lights’.