Jose Marichan

Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the Russian button accordion played here with great virtuosity by Iñaki Alberdi. Kadenza is a solo tour de force; Et exspecto, based on the closing words of the Creed (‘I look for the resurrection of the dead and the life of the world to come’) is an impressive five-movement sonata in which, the booklet-note tells us, the performer’s interpretation goes, with her encouragement, well beyond the composer’s notation. In the other works, much is made of the combination of the accordion sounds and Asier Polo’s cello. With In croce, a number of cross-like ideas derive from the title – crossing of registers, crossing of lines and textures and so on – which are essentially private creative stimuli for the composer. But in the major work on the record, the half-hour Seven Words, the sentences spoken by Jesus on the cross are graphically, even fervently implied. Gubaidulina’s love of short motifs, here often using very close intervals, produces in her hands music of strong and even painful intensity, seizing and gripping the attention, sometimes with fiercely punched chords on the accordion or with soaring harmonics on the cello that vanish into silence after the final Word. The longest movement is the central No 4, Jesus’s cry, ‘My God, my God, why hast thou forsaken me?’, a powerful and deeply affecting invention. This is a remarkable, compelling work.

The most devoted fans of the Three Tenors (José Carreras, Plácido Domingo, and Luciano Pavarotti) may already have the music included in this album of greatest hits taken from their concerts in Rome (1990), Los Angeles (1994), and Paris (1998), but for listeners new to the singers, this disc makes a good introduction. The repertoire is weighted toward the Latinate, featuring primarily popular song and opera excerpts from Italy, Spain, and Latin America, but also included are songs from The Merry Widow, Carousel, Singin' in the Rain, and West Side Story. Most of the music has a strongly Romantic, emotionally charged, lyrical feeling that's enhanced by the lush orchestral arrangements.

The first of Verdi's two late Shakespearian operas stands as one of the great masterpieces of grand opera. José Cura, ranked among the world's leading interpreters of Verdi's music, takes the title role in Willy Decker's profound and intense production, recorded live at the Liceu, Barcelona in 2006 in true surround sound and filmed with high definition cameras.

With this album - subtitled La Bella Cubana - the Mozart y Mambo trilogy is complete. After two critically acclaimed albums, three documentary films, two international tours and fundraising to help support classical musicians in Cuba, Sarah concludes this adventure of a lifetime with the Havana Lyceum Orchestra and their conductor, José Antonio Méndez Padrón by recording Mozart's Concerto No. 4 with its famous final Rondo. Also on the album, three of her colleagues from the Berlin Philharmonic Orchestra, Jonathan Kelly, Wenzel Fuchs and Stefan Schweigert, join her for more Mozart, performing the Sinfonia Concertante for four solo wind instruments and orchestra.

With this album - subtitled La Bella Cubana - the Mozart y Mambo trilogy is complete. After two critically acclaimed albums, three documentary films, two international tours and fundraising to help support classical musicians in Cuba, Sarah concludes this adventure of a lifetime with the Havana Lyceum Orchestra and their conductor, José Antonio Méndez Padrón by recording Mozart's Concerto No. 4 with its famous final Rondo. Also on the album, three of her colleagues from the Berlin Philharmonic Orchestra, Jonathan Kelly, Wenzel Fuchs and Stefan Schweigert, join her for more Mozart, performing the Sinfonia Concertante for four solo wind instruments and orchestra.

Deutsche Grammophon is proud to present Franco Zeffirelli's iconic staging of La Bohème as recorded liveat the Metropolitan Opera on January 16, 1982, available once again on DVD. This timeless production continues to thrill audiences almost every season since it was first introduced in 1981, and this performance captures the production at the very beginning with the original cast. Teresa Stratas, renowned for her acting abilities, captures the essence of Mimì–her fragility, her resolve, her passion. Stratas is partnered by José Carreras as Rodolfo, the poet and love of her dreams. The cast is rounded out with a lively Renata Scotto (who was filmed as Mimì in an earlier MET production, also available on DVD from Deutsche Grammophon) and sonorous Richard Stilwell.