Josep Kilian

This is a live recording of the recital given by Josep Colom at the Fundación Juan March in Madrid on 10 October 2018. Designed to encourage an original way of listening to music, the programme consists of a linked se- quence of single movements or pieces taken from collections. Together these form an uninterrupted whole that reveals hidden analogies between Schubert and seven other composers: Bach, Mozart, Beethoven, Chopin, Schumann, Brahms and Schoenberg. Josep Colom also revives a once common but now forgotten performing tradition: that of using improvisation to create transitions between fully composed works. His concise extempore interludes lead the listener smoothly from one composition to another, creating a kind of continuum of sound.

Ritmo, Tribute to Chick Corea was recorded live back in July 2021 at the ADDA Auditorium in Alicante (Spain) during the FIJAZZ Festival. Conceived and produced by conductor/drummer Josep Vicent, ADDA Symphony Orchestra’s Music Director, with arrangements by Argentinian Latin Grammy Award Winner pianist and composer Emilio Solla, RITMO is a celebration of Chick Corea’s music and its tremendous influence in contemporary Jazz and its fusion with Latin music.

Clarinetist Ona Cardona and pianist Josep Colom join forces on this recording, performing Brahms’ late masterpieces, the clarinet sonatas op. 120. Superb performances of both sonatas that framed Robert Schumann’s Fantasiestücke, op. 73 and a wonderful arrangement for clarinet and piano of Clara Schumann’s largely neglected Romanzen, op. 22.

In March of 1908, 27-year-old Johanna Senfter went “on a pilgrimage” to visit Max Reger in Leipzig. Having studied piano and violin at the Hoch Conservatory in Frankfurt am Main, she now wanted to learn composition. Reger, only six years her elder, had been in charge of a masterclass for musical composition at Leipzig Royal Conservatory for only a year.

As if in a mirror, this recording juxtaposes the original piano versions of two of Ravel's masterpieces ('Le Tombeau de Couperin' and 'Alborada del gracioso') with their respective orchestrations. The 'Concerto in G Major' combines the two facets, both when the piano is integrated into the overall sound and when it plays its role as a soloist. The subtle playing of Javier Perianes and the refined sonorities of the Orchestre de Paris, conducted by Josep Pons, also remind us that Spain was the most significant source of inspiration in Ravel's output.