Joe Lovano's third album featuring his Us Five quintet, 2013's Cross Culture, furthers the adventurous collective aesthetic the saxophonist developed on 2009's Folk Art and 2011's Bird Songs. Once again working with drummers Francisco Mela and Otis Brown III, pianist James Weidman, and bassist Esperanza Spalding, Lovano also employs bassist Peter Slavov on a few tracks here, as well as West African guitarist Lionel Loueke. The result is an album of exploratory jazz that is often more about group interplay on various musical themes rather than straightforward improvisation on melodic compositions – though there is that, too.
Saxophonist Joe Lovano and trumpeter Dave Douglas will release Live at Monterey Jazz Festival on April 7, the debut recording from their co-led quintet Sound Prints featuring pianist Lawrence Fields, bassist Linda Oh and drummer Joey Baron. The album was recorded live at the Monterey Jazz Festival on September 21, 2013. Sound Prints takes their primary inspiration from the music of their primary inspiration Wayne Shorter the band's name is a nod to his classic "Footprints" however the quintet s focus is on new original compositions by Lovano and Douglas, as well as two new Shorter compositions in direct collaboration with the composer himself.
Joe Lovano emerged during the 1990s as a major voice on the tenor saxophone, having to an impressive degree assimilated the bebop, modal and free-jazz techniques with which he grew up. I'm For You: Ballad Songbook (Blue Note) teams him with the veteran pianist Hank Jones (elder brother of Elvin and Thad) and the superb bassist and drummer George Mraz and Paul Motian on a project that explores the possibilities that slower tunes offer to be "rhythmically diverse and free within the music" while at the same time sustaining the mood of the piece.
Bringing to mind a superb mix of Dexter Gordon and Sonny Rollins, I'm All for You finds forward-thinking saxophonist Joe Lovano expertly balancing heartfelt melodicism and cerebral harmonic improvisation. Easily one of Lovano's most listenable endeavors, the ballads-oriented album pulls no punches and simply allows you to sit back and enjoy a master play at his utter best. Joining him is journeyman pianist Hank Jones, who brings his urbane touch to such classic standards as "Don't Blame Me" and "Like Someone in Love." Rounding out the ensemble are longtime Lovano associates bassist George Mraz and drummer Paul Motian, who lend an egoless mentality to the proceedings, helping to emphasize lush group interplay over individual pyrotechnics.