Judgement at Nuremburg

‘A work of singular importance . . . balanced, original, human, accessible, and riveting’ – Philippe Sands, author of East-West Street.

"This is the first book of its kind where the law and economics methodology are applied in a systematic way to potential damage created by robots and as a result of AI. Mitja Kovac sketches in a brilliant manner problems that may arise following damage caused by judgment proof robots and he equally suggests an optimal regulatory framework to deal with the problem. I warmly recommend this book."

In their debut album, early music ensemble Fount & Origin present a musical meditation on the Franco-Flemish painter Rogier van der Weyden’s altarpiece image of The Last Judgement at the End of time. This multi-panelled work survives as a monument of fifteenth-century art, relating in vivid detail and colour van der Weyden’s dynamic and terrifying account of the world’s final moments. The nine polyphonic settings recorded here were composed in Europe in the mid- to late-fifteenth century and include works by composers such as Johannes Ockeghem, Johannes Regis, Johannes Martini and Antoine Brumel, with each piece thematically tied to an element or figure in the painting.