Five CD box set containing a quintet of original albums from this Blues/Rock/Pop outfit: "Live" Full House, Bloodshot, Ladies Invited, The J. Geils Band and The Morning After.
The J. Geils Band was one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, The J. Geils Band was a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio.
The J. Geils Band's self-titled debut serves notice that rock & roll wasn't dead in 1970 despite the best efforts of the singer/songwriter brigade. Though it sounds a bit reserved in the light of the albums that followed, compared to the majority of bands on the scene, it was a nonstop blast of energy, fun, and sweat……
The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.
Nightmares…and Other Tales From the Vinyl Jungle spawned the biggest Atlantic hit for the J. Geils Band, the wonderfully obsessive, questioning dilemma titled "Must of Got Lost." Here the Geils Band are at the peak of their powers in the days prior to Freeze Frame and lustful songs like "Centerfold," "Must of Got Lost" being the only of their three Atlantic Top 40 hits to land in the Top 15. Seth Justman and Peter Wolf share all the songwriting credits here, save the intriguing camp/funk of the Andre Williams/Leo Hutton composition "Funky Judge." It's Peter Wolf's pantomime vocal entwined with the band's serious blues that creates something very special……
The J. Geils Band were coming off their biggest album yet (Bloodshot, which hit the Top Ten on the Billboard album charts) when Ladies Invited appeared in 1973. It didn't reach the same level of sale (peaking at number 51) and none of the songs became AOR staples. Despite this, the record is solidly entertaining Geils, full of jumping party tunes and heart-punching ballads all composed by the band itself. As usual the up-tempo songs are the best: "Did You No Wrong" is a dynamic rocker with some blistering J. Geils guitar work………