Jul I'm Sorry

Heavily influenced by The Ramones and many of today's Pop Punk artists, The Sheckies were in the forefront of the "Pogo Punk" movement. The Band formed in February 2004, and their songs noted for their simplicity, brevity, high energy and fun lyrics. An absolute champion stuff!

24 December 1965, Manchester, Lancashire, England. A skilled trumpeter, Brown studied at London’s Guildhall School of Music and Drama. Although centred in jazz, his influences and his repertoire display his awareness of many forms of music: classical, pop, contemporary dance, reggae, soul. Among artists and groups with whom he has worked, including in some instances making international tours, are Prince Buster, Desmond Dekker, Maxi Priest, Push, trombonist Rico Rodriguez and Paul Weller. At times, Brown’s playing suggests that he is essentially rooted in the hard bop tradition. He plays with a warmth and fluidity that allows him to find considerable variations from the norm, therefore making his work worthy of careful attention.

There is something unforgettable about great love songs, and Briana Marela's Call It Love wraps its welcoming arms around the subject, invoking all its complexity. Before writing the songs that would become Call It Love, Briana Marela was guided first and foremost by her instincts as a producer & engineer. Marela's original vision for this album was to dig into the two poles of her songwriting styles: her ambient, ethereal side and her brighter, beat-driven pop leanings. She enlisted the production help of Juan Pieczanski & Ryan Heyner of the band Small Black upon hearing their most recent self-produced album.

double post sorry …………………………………………..

A little-known ‘Well-Tempered Clavier’ for the 19th century in a superbly engineered new version.
Long known as Beethoven’s pupil, Liszt’s teacher and the bane of countless piano students ever since as the prolific author of exercises and studies which have won foundational status in their importance for piano technique, Carl Czerny (1791-1858) is finally gaining recognition as a composer in his own right. During the 19th century, while his pupils were still alive to play them, his concertos still enjoyed a measure of familiarity and success, but Czerny’s sheer industry obscured his creative achievements: where should a listener start with a catalogue of opus numbers into the four figures?