Jul I'm Sorry

For FLEISCH almost nothing is sacred: these sharks from Köln bite virtually every kind of flesh, be it Pink Floyd's most dramatic sequences, cool jazz improvisations or spiritual revelations of contemporary neo-romantics and metaphysicians.

Trost im Leid veut rendre hommage aux plus beaux lieder sacrés composés pendant la maturité de Carl Philipp Emanuel BACH, sélectionnés parmi les 250 qu'il nous a laissés au total. Inédits pour la plupart, ces magnifiques lieder laissent s'éclipser graduellement l'influence baroque au profit des thèmes et des contrastes propres au style classique de Haydn et Mozart.

Karlheinz Stockhausen - Tierkreis & Musik im Bauch (1992) {Stockhausen-Verlag No. 24}
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© 1975, 1992 Stockhausen-Verlag | Stockhausen 24
Classical / Avant-Garde / Experimental / 20th Century

Since 1991, a complete edition of all recordings in which Karlheinz Stockhausen has personally participated is being released on compact discs. Each CD in this series is identified by Stockhausen's signature followed by an encircled number. The numbers indicate the general historical order of the works. Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. He personally mixed down the recordings, mastered them for CDs, wrote the texts and drew the covers.

Having focused on music from their home country before, the Norwegian Soloists Choir here present a German programme, featuring two of the most influential composers in 19th-century choral music: Johannes Brahms and Franz Schubert. It includes both sacred and secular music, scored for male, female and mixed choir a cappella and accompanied, starting with a selection from Brahmss deservedly popular Zigeunerlieder for mixed choir and piano.