Julie Feeney

Dopo anni passati a evitarsi, i membri della famiglia di Daisy Darker, lei compresa, si ritrovano per la prima volta a casa della nonna per festeggiare il suo ottantesimo compleanno. A uno a uno, i parenti di Daisy arrivano per i festeggiamenti, carichi di rancori e segreti. È Halloween, e Seaglass, la fatiscente dimora arroccata su una piccola isola privata, è un tutt'uno con le rocce di granito su cui poggia. In poco tempo, con l'alzarsi della marea, tutti i partecipanti rimangono tagliati fuori dal resto del mondo per otto lunghe ore.

Jamie è fissato con il rosso, i motivi geometrici, la pioggia nelle giornate ventose, i gatti e i libri di Edgar Allan Poe. Saranno proprio la tenerezza dei suoi sogni e la sua testardaggine a salvare la piccola comunità irlandese a cui appartiene. All’età di tredici anni Jamie ha due grandi desideri: costruire una macchina del moto perpetuo ed entrare in contatto con sua madre Noelle, morta nel darlo alla luce. Due cose che per lui sono strettamente collegate. E nella nuova scuola, dove si sente travolto e disorientato, l’incontro con due insegnanti speciali gli aprirà un mondo di nuove possibilità. Un romanzo sui legami importanti, il potere dell’immaginazione e su come le nostre avventure più grandi non accadano mai per caso.

In 2023 I undertook a return trip to Hungary with my daughter; I wanted her to see the land of her mother’s early childhood, as well as that of her forebears.

Julie London A sultry, smoky-voiced master of understatement, Julie London enjoyed considerable popularity during the cool era of the 1950s. London never had the range of Ella Fitzgerald or Sarah Vaughan, but often used restraint, softness, and subtlety to maximum advantage. An actor as well as a singer, London played with heavyweights like Gregory Peck and Rock Hudson in various films, and was married to Jack Webb of Dragnet fame for seven years before marrying songwriter Bobby Troup ("Route 66"). London performed her biggest hit, "Cry Me a River," in the Jayne Mansfield film The Girl Can't Help It. After recording her last album, Yummy, Yummy, Yummy, in 1969, she continued to act – playing a nurse on the NBC medical drama Emergency from 1974 until 1978. London left show biz altogether in the late '70s. In the mid-'90s she suffered a stroke, which led to a half-decade of poor health and ultimately contributed to her death on October 18, 2000.

Julie London (born Julie Peck; September 26, 1926 – October 18, 2000) was an American singer and actress whose career spanned more than 40 years. A torch singer noted for her contralto voice, London recorded over thirty albums of pop and jazz standards between 1955 and 1969. Her recording of "Cry Me a River", a song she introduced on her debut album Julie Is Her Name, was inducted into the Grammy Hall of Fame in 2001. In addition to her musical notice, London was nominated for a Golden Globe Award in 1974 for her portrayal of Nurse Dixie McCall in the television series Emergency!

‘Why has this intense, brilliantly orchestrated, claustrophobically gripping masterpiece been so neglected since its 1977 premiere?’ asked Richard Morrison in The Times of the concert performance in the Barbican that preceded this recording. Miss Julie is Alwyn’s last large-scale work, written in 1973-76. Alwyn set his own libretto, based on Strindberg’s 1888 play of that title. The naturalistic drama and lifelike characters of that play appealed to Alwyn from an early age – in fact, he previously attempted to compose an opera on Miss Julie in the 1950s.

Turning Shakespeare's Romeo and Juliet into a short German Singspiel with a happy ending may seem a rather implausible undertaking, and so it turns out to be. Shakespeare's play is butchered to the point of not being recognizable. What is is gained is rather pleasant music by a minor German master, here well performed by obscure forces.

‘Why has this intense, brilliantly orchestrated, claustrophobically gripping masterpiece been so neglected since its 1977 premiere?’ asked Richard Morrison in The Times of the concert performance in the Barbican that preceded this recording.