Kafka on The Shore Haruki Murakam

Readers of contemporary fiction will immediately realise that Czech pianist Emil Viklicky's release is inspired by a novel by Japanese writer Haruki Murakami, himself connected with Prague courtesy of his having received the Kafka Award there in 2006. The album contains seven Viklicky originals with suitably Murakami-connected titles ('The Boy Named Crow', 'Miss Saeki Theme' etc.) and six non-originals from the worlds of jazz (Herbie Hancock's 'Dolphin Dance', Duke Ellington's 'Solitude', Jimmy Rowles's 'Peacocks') and popular music (Paul McCartney's 'Eleanor Rigby', Michel Legrand's 'Windmills of Your Mind') so tellingly referenced in Murakami's works. It's not strictly necessary, however, to be familiar with the Japanese writer's oeuvre (though it helps) to appreciate the sheer intensity and virtuosity of Viklicky's playing throughout this powerful and affecting album…

Bernard Stanley "Acker" Bilk was an English clarinettist and vocalist known for his appearance – goatee, bowler hat and striped waistcoat – and breathy, vibrato-rich, lower-register clarinet style. Bilk's 1962 instrumental tune "Stranger on the Shore" became the UK's biggest selling single of 1962: it was in the UK charts for more than 50 weeks, peaking at number two, and was the first No. 1 single in the United States by a British artist in the era of the modern Billboard Hot 100 pop chart.