Canadian Rick Miller is back with his fourteenth album, two years after 'Delusional'. This is very much a continuation of the change in style he has been working on recently where there is much more of a rock element within his music, and his band is the same as the last album apart from this time around only Barry Haggarty provides guitar, as Kane Miller is no longer involved. Given Kane has been a mainstay since Rick's fourth album, 2004's 'Dreamtigers', that is quite a shift. But Haggarty's relationship with Rick goes back even further, while flautist Sarah Young has also been involved for more than 15 years. Both drummer Will and cellist Mateusz Swoboda also have a long history with Rick, who describes this album as being "in the genre of what I would call Progressive Rock. That term defining the type of music that was made famous throughout the 70's by bands such as Genesis, The Moody Blues and Pink Floyd"…
The soundtrack to a smoky late night bar in Chicago, or a hot Sunday afternoon down at the Popcorn. If you feel the cold sweat of soul, and the cool chills of haunted crooners singing out their final swansong, or the sinful shakes of R&B in it's twilight years, then you have a bad case of Slow Grind Fever! This is a collection of haunting, hungry, heartbroken humdingers full of swing, sway and sleaze. With obscure B-sides sitting next to some of these great artists' last outings on wax. –Stag-O-Lee Records
Nick Tosches once famously described Wanda Jackson as "the greatest menstruating rock & roll singer whom the world has ever known," and while he doubtless chose those words for comic effect, the nervy crudity is not entirely inappropriate. At her best, Wanda Jackson sounded wild and ravenously sensual in a way that few artists dared in the mid-'50s, especially not female vocalists, and sides like "Let's Have a Party," "Hot Dog! That Made Him Mad," and "Fujiama Mama" run neck in neck with Jerry Lee Lewis or Billy Lee Riley for sheer frenzied rockabilly energy.