Kaori Muraji herself selected popular repertoires such as popular songs, movie music and classical masterpieces, centering on her repertoire that she often plays in recent performances. The songs selected with the desire to send healing and ale with music to all those who endure the corona wreck are a collection of gems that are loved across genres. In addition, Kaori Muraji's feelings are included in the album title. Special recording of "Memory" of the musical "Cats" newly recorded for this best album. This new recording "Memory" was recorded under the direction of Soichi Muraji, the younger brother of the guitarist who is also her trusted co-star partner.
The yamato word for mirror, 鏡kagami, can be read as “kami (divinity) surrounding ga (self)”: if you look in a mirror, what you see is your own self surrounded by divinity. Kaori Uemura has called her tale Kagami , because she believes that music reflects the inner depths of the self in the same way as a mirror. Mirrors were used in art as a reflection of what is, and as an allegory of truth and wisdom, a means of knowing yourself as you are. This recording is also a tribute to the Baroque composers who saw music not only as a mirror of divine creation, but equally as a means of expressing human emotions through musical figures which could produce specific affects.
Decca's Kaori Muraji Plays Bach doesn't make any pretensions toward representing the music of Johann Sebastian Bach in his historical element as has become commonplace…
Kaori Muraji, a star in her native Japan, performs some of the world’s best-loved guitar music by Rodrigo in this new recording. Muraji formed a close friendship with the composer, who predicted she would become “THE twenty-first-century interpreter” of his music. Their mutual admiration enabled Muraji to deepen the special affinity she felt towards Rodrigo’s music.
Kaori Muraji (村治佳織; born 14 April 1978) is a Japanese classical guitarist. She is the first Japanese artist to have signed an exclusive international contract with Decca Music Group…
The path of Italian RPI group Metamorfosi has been an interesting one. Starting, like many of the future defining Italian prog acts, with a humble little debut that mixed Sixties pop, gospel and folk elements (1972's "…E Fu il Sesto Giorno"), a year later they would deliver what would become one of the legendary Italian progressive works with "Inferno", also one of the greatest keyboard-dominated albums in all of the genre, based around one part of the epic "Divina Commedia" (Divine Comedy) poem, a source that would continue as inspiration for continued Metamorfosi works over the decades. Despite a third album being written soon after the seminal 1973 work, the band split and it would remain unrecorded, at least until a version of the group reformed in the Nineties…