Katie Webster is a powerful singer who can really belt out the blues, but perhaps her greatest skill is her two-handed piano solos. On this CD she is featured on a fairly wide range of material within the idiom including a zydeco-flavored blues, a sincere blues ballad ("It's Mighty Hard"), a couple of Motownish soul numbers, a rock and rollish "Those Lonely Lonely Nights" (on which she shares vocals with Lonnie Brooks) and, best of all, a variety of basic blues. Although she also contributes some atmospheric chordal organ, it is Katie Webster's piano playing that gives her music its most distinctive personality. A fun set.
The legendary Ruf Records showcase tour is now 17 years old, but the concept remains unbeatable and therefore unchanged. Three up-and-coming talents from the most respected blues label in Europe. Three live sets that run the gamut of genres and emotions. And to top it off, a huge jam session where all the artists let loose together - and ask the audience to do the same.
No matter how much money, status, or success they may have, very few people experience true joy and personal freedom. Byron Katie knows this reality too well. In the midst of a "normal and successful" life, she was sinking deeper and deeper into depression and despair until a sudden, profound insight into how the mind works set her on the path to a life filled with love for everything life brings. Eager to help others find this freedom, Katie developed a revolutionary process to make this transformation practical, a simple yet powerful method of inquiry known as The Work.
Multi award-winning recording artist Katie Melua has announced an extensive 45-date headline 2020 tour, including 18 UK & Eire dates. The announcement of the tour coincides with news of a ‘Live In Concert’ 2xCD album featuring Gori Women’s Choir, recorded at London’s Central Hall, Westminster, in December 2018. Gori Women’s Choir first worked with Katie on the silver-certified 2016 album ‘In Winter’. That album was recorded in Georgia, and commanded some of the finest reviews of her career with the Sunday Times describing it as “bewitching…ravishing…spellbinding” and the Independent as “exquisite” and “remarkable.”