BBR is proud to bring you HOW HIGH, the seventh instalment of our Salsoul Orchestra reissues. THE SALSOUL ORCHESTRA was the brainchild of once MFSB member and legendary vibraphonist, Vince Montana Jr. Formed in 1974, THE SALSOUL ORCHESTRA, house band for the remarkable Salsoul Records, sometimes featured up to 50 members amongst its ranks including a number of former musicians from MFSB, and fused elements of Funk, Latin, Disco and Philly Soul into their compositions. THE SALSOUL ORCHESTRA began an eight-year recording period in 1975 releasing eleven sensational albums during that time featuring production input from, Stan Lucas, Patrick Adams, Bunny Sigler and Tom Moulton through the years.
THE SALSOUL ORCHESTRA was the brainchild of once MFSB member and legendary vibraphonist, Vince Montana Jr. Formed in 1974 THE SALSOUL ORCHESTRA, house band for the remarkable Salsoul Records, sometimes featured up to 50 members amongst its ranks including a number of former musicians from MFSB of the Gamble & Huff fronted Philadelphia International Records and fused elements of Funk, Latin, Disco and Philly Soul into their compositions.
The A and B-sides of the ten singles Marianne recorded for UK Decca between 1964 and 1969, plus her ‘Go Away From My World’ EP for good measure. All tracks are in authentic mono, just like the actual 45s and mastered from the best possible sources, including some fresh Abbey Road transfers of the original tapes.
There have been dozens and dozens of Motörhead compilations released over the decades, but the first one remains definitive, even if it's not perfect. Released in 1984 as a gap-filler – for Motörhead were regrouping in the wake of the bandmember shuffling that followed the odd Another Perfect Day album – No Remorse compiled two-dozen songs across two discs (latter-day editions adding a good serving of bonus tracks, too)…
THE SALSOUL ORCHESTRA was the brainchild of once MFSB member and legendary vibraphonist, Vince Montana Jr. Formed in 1974, THE SALSOUL ORCHESTRA, house band for the remarkable Salsoul Records, sometimes featured up to 50 members amongst its ranks including a number of former musicians from MFSB, and fused elements of Funk, Latin, Disco and Philly Soul into their compositions. Conducted and arranged by Montana, THE SALSOUL ORCHESTRA began an eight-year recording period in 1975 releasing eleven sensational albums during that time featuring production input from, Stan Lucas, Patrick Adams and Bunny Sigler through the years.
BBR is proud to bring you UP THE YELLOW BRICK ROAD, the sixth instalment of our Salsoul Orchestra reissues. THE SALSOUL ORCHESTRA was the brainchild of once MFSB member and legendary vibraphonist, Vincent Montana Jr. Formed in 1974, THE SALSOUL ORCHESTRA, house band for the remarkable Salsoul Records, sometimes featured up to 50 members amongst its ranks including a number of former musicians from MFSB. THE SALSOUL ORCHESTRA began an eight-year recording period in 1975 releasing eleven sensational albums during that time featuring production input from, Stan Lucas, Patrick Adams, Bunny Sigler and Tom Moulton through the years.
Veteran photographer Brian Smith has good reason to remember the night of 3 April 1965 that R&B legend Johnny “Guitar”’ Watson played Manchester’s Twisted Wheel club, with sidekick- Larry Williams, “It was the first time I took out my wife [39 years married, last June] - though I still stuck to the job in hand and buggered off to the ‘Wheel All-Nighter’ after I had put her on the bus home. I got a few decent black and whites on at Twisted Wheel, and then a couple at the Princess Club, same week: on stage, and some posed too.”
The five original volumes of “The Ace (MS) Story” were part of the backbone of our catalogue during our early days. They disappeared for a long while after our licensing agreement with Johnny Vincent expired, but we were delighted to restore three of the original five to catalogue in 2010 and 2011. Judging by their sales figures, we were not the only ones to be delighted.
To clear up a couple possible points of confusion about this 2010 release: although it came out on the British Ace label, it's actually a compilation of material that came out on the American Ace label between the mid-'50s and mid-'60s (with the exception of a couple cuts that didn't appear until the early '70s). Also, it's not identical to the 12-track LP titled The Ace Story, Vol. 2 that came out in the '70s. This edition adds 12 bonus tracks, making it a more comprehensive sampler of the label's rock and R&B.