Ex-boxer Screamin' Jay Hawkins' live show, full of on-stage coffins, skulls, and toilets, prefigured the extravagant concert productions of later artists like Alice Cooper and George Clinton, and Hawkins' full awareness of the visual aspect of rock music extended even to his lyrics, which were purposefully graphic and surreal. In essence, Hawkins was a one- or two-trick pony, but boy, those ponies could run. His masterpiece was "I Put a Spell on You," which he originally recorded for OKeh Records (supposedly while extremely drunk) in 1956, and while Hawkins' version was never even close to being a commercial hit, the song has been covered so many times (most notably by Nina Simone) that it has deservedly been certified as a rock and R&B classic.
Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon…
Sony’s Legacy Recordings will issue a three-disc deluxe edition of Van Morrison‘s 1997 album The Healing Game which features unreleased session tracks, collaborations and live performances.
Urgency has been Pearl Jam's calling card since their inception, which is why it was a jolt to hear the band sound so settled on 2013's Lightning Bolt. Maybe it's the times, maybe it's the choice to switch producers – the group swapped their longtime collaborator Brendan O'Brien for Josh Evans, who co-produced the album with the band – but Gigaton hits with the strength of a full-force gale. Weather is a galvanizing concern on Gigaton, with Pearl Jam structuring their 11th album around the looming climate change crisis. There's little subtlety in this regard: the title refers to the amount of ice lost at the arctic poles, the album's cover depicts a melting glacier, and the lyrics are lousy with apocalyptic imagery, not all of it derived from the climate.
Elvis Costello recorded the 15 songs that comprised his covers album Kojak Variety in 1990, but the album sat in the vaults for five years, with some songs trickling out on soundtracks, with the entire album eventually leaking out as a bootleg prior to its release in 1995. Given this slow, steady crawl to release and the nature of bootlegs and B-sides, it's reasonable to assume from its slow unveiling that the album was a collection of covers that he recorded with different bands over different years, when quite the opposite was true – all 15 songs were the cut with the same band, all sequestered away in Barbados.
Into the Music may not seem like a great Van Morrison record, one of his very best, upon first listen, especially if you're trying to compare it to such masterpieces as Astral Weeks and Moondance, or even Tupelo Honey. Yet this is certainly one of his best records, one that is quietly winning and thoroughly ingratiating, sounding stronger, even irresistible, with each new spin. In a sense, this is the definitive post-classic-era Morrison, since it summarizes all of his attributes while showcasing each at a peak…