Jimi Tenor can look back on a career spanning almost 30 years, in which time he has released more than 20 albums on such renowned labels as Warp Records, Sähkö and Kitty-Yo. Pop artist prestige holds no sway over the Finnish composer and multi-instrumentalist. Never resting on his laurels, he continues to hone his unique sound, which draws on elements of jazz, Afrobeats and experimental electronic music. Bureau B are excited to announce the arrival of a new Jimi Tenor double album! Following on from last year's NY, Hel, Barca compilation which showcased Tenor's early works and cuts from his first six albums, Deep Sound Learning shines a spotlight on unreleased tracks from 1993 to the year 2000. This intensely prolific period saw Tenor send countless DAT tapes to Warp Records, his label at the time, who stacked up the recordings in the office safe. Some of the songs preserved on those DATs made their way onto various Tenor LPs - whilst others remained unreleased to this day.
I bought this twoffer after I got acquainted with the music and playing of A Blythe. I'm glad I did. Both discs are documents of some very fine playing by all of the musicians that took part in the gigs recorded at the Ronny Scott's on two separate occassions some twenty or so years ago. The playing is immaculate and the sound superb. If you've been to the club you'll know that the interior is acoustically very well treated and that more than pays off here. There is not a grain of digital harshness in the sound, all is very 'analogue' and that really compliments the music and the atmosphere.
A digital introduction to the analog world of Drone Records featuring a small sampling of wondrous sounds from this ongoing series of limited, lovingly hand assembled 7-inch singles. You get the goods from Maeror Tri, Dual, Ultra United, Aube, Toy Bozzare, and others.
Riccardo Muti takes time out here to present some of the lesser known, rarely heard orchestral scores of his fellow countrymen, and a superbly played, enjoyable concert it is too. Proceedings commence with a fine and spirited performance of Alfredo Casella's divertimento Paganiniana—not a great piece by any means but a work possessing plenty of charm and humour nevertheless; the outer movements are a bit of a romp (very opera buffa) and must have been as much fun to write as they clearly are for the La Scala Philharmonic to play.
The Seventh House came out almost four years after IQ's previous studio album, Subterranea. In light of this CD, it appears that the critically acclaimed 1997 concept album was the band's creative peak, which does not mean The Seventh House is weak. The general feeling of the album makes it closer to 1993's Ever. Peter Nicholls' theatrical voice gains in beauty with age. The playing is unsurprisingly tight, the musical approach firmly anchored in melodic progressive rock. Highlights include "Guiding Light," "The Wrong Side of Weird," and the title track, the latter a complex and exhilarating number. On the other hand, "Erosion" and "Zero Hour" feel like they miss a dimension, even if the acoustic guitar on the latter brings in a different texture…
This is one of a set of 5 CDs released in 2000 by Avid. The Trio comprises Ralph Sharon on piano, Lennie Bush on bass and Jack Parnell on drums, all of whom played in the Ted Heath orchestra at some time. Lennie Bush also played in Jack Parnell's ATV orchestra. The other CDs in the series feature the music of George Gershwin, Irving Berlin, Cole Porter, and Richard Rodgers. There are 18 tracks and these include three medleys. The tempo at which some of the tunes are played are not the ones we hear most often and also include some of the verses as well as the refrain - but the music is none the worse for that. The final track is an up-tempo composition of Ralph Sharon's called `Jerome alone'.
Saris founded back in 1981. From 1981 until 1983 they toured extensively in their native Germany, as well as recording the single “Out of Your Night”. For various reasons, there was disagreement about the new musical direction and an upcoming album. So Saris went on the back burner for a few years. In 1992, a new line-up was in place though, as Martin Gellhaus (vocals), Udo Raitzig (bass), Stefan Kremer (keyboards) and Helge Bungert (drums, vocals) joined Akkermann for the recording of an album, released as “Dead End Street” in 1993. A subsequent tour followed and at the end of this, Raitzig and Bungert left the band.
Live Shit: Binge & Purge is a live album by the American heavy metal band Metallica. It was the band's first live album and was released in a box set format on November 23, 1993. The initial first pressings contained three CDs or cassette tapes, with songs from concerts in Mexico City on the Nowhere Else to Roam tour…