Kazakstan 1993 2000

The most unusual war of the 20th century took place in 1969. El Salvador and Honduras faced one another in a qualifying set for the 1970 World Cup. Tensions were already boiling over in the two countries over the issue of Salvadoran workers in Honduras. But soccer sometimes brings out the worst in people, and the games turned from friendly competition into a full-scale military invasion by El Salvador on its neighbor. Although the fighting lasted only four days, the combat damaged two nations already teetering on the brink of economic collapse. And it all started over a soccer game.

And you will find few war stories this potentially interesting in The Century of Warfare, an interminable series from the History Channel. A low-budget 1993 British production that relies on public domain footage, library music, and a monotonous British narrator with a soporific voice, this 26-episode series somehow manages to make one of the most inherently interesting subjects stunningly pedestrian and dull.

A three-CD box set that enshrines Barrett's complete recorded legacy as a solo artist. Besides including his two 1970 albums, this collection includes the 1989 compilation of unreleased material, Opel. The chief attraction of this set for Barrett fans is no less than 19 previously unreleased alternate takes from throughout his quite brief solo career. All of those alternate takes, it's important to note, are alternate versions of songs that appear on the three previously available albums; no entirely unheard compositions were unearthed. Nonetheless, these alternate takes are more interesting listening than you might expect, for a couple of reasons.

When the Hollies - one of the best and most commercially successful pop/rock acts of the British Invasion - began recording in 1963, they relied heavily upon the R&B/early rock & roll covers that provided the staple diet for countless British bands of the time. They quickly developed a more distinctive style featuring three-part harmonies (heavily influenced by the Everly Brothers), ringing guitars, and hook-happy material, penned by both outside writers (especially future 10cc member Graham Gouldman) and themselves, eventually composing most of their repertoire on their own. The best early Hollies records evoke an infectious, melodic cheer similar to that of the early Beatles, although the Hollies were neither in their class (not an insult: nobody else was) nor demonstrated a similar capacity for artistic growth. They tried, though, easing into somewhat more sophisticated folk-rock and mildly psychedelic sounds as the decade wore on, especially on their albums (which contain quite a few overlooked highlights).