Legjobb Felvételei 1972-1983 (Best Recordings 1972-1983).
Mini was founded in 1968 by vocalist and flutist Ádám Török in Budapest. In the beginning they played early Jethro Tull-like music. In the early seventies they became jazzier. Along with Syrius, they were a most popular underground band in Hungary. Their first album was released in 1978, and features space rock, jazz rock, and soft Camel-like tracks too. There is no guitar, but there is much flute, Fender Rhodes, floating string synth and a very precise rhythm section. The second album, ''Úton a föld felé'', was released in 1979, and is similar to the first one. The next album, released in 1983, was named ''Jungle''. This product was easier and lighter. Ádám Török disbanded the Mini in 1984 and began to start other projects…
At the age of 85 Stephane Grappelli was still a master of the violin, as proven during this 1993 concert at Carnegie Hall in honor of his landmark birthday (which he had celebrated the previous January 26th). With bassist Jon Burr and guitarist Bucky Pizzarelli, Grappelli revisits a number of old favorites, including a lively take of "All God's Chillun Got Rhythm," an easygoing "Honeysuckle Rose," and a gently swinging "Limehouse Blues." There are no surprises, just great music from the master. Several tracks feature the Rosenberg Trio (in their American recording debut), a fine Gypsy trio (2 guitars and a bass) that Grappelli first heard at the 1991 Montreal Jazz Festival and invited to join him on stage. All six men take part in the enjoyable finale of "Sweet Georgia Brown."
Towering figure of the Delta blues, whose high, ghostly wail and dauntingly nimble guitar work lent his music frightening emotional power.
If the blues has a truly mythic figure, one whose story hangs over the music the way a Charlie Parker does over jazz or a Hank Williams does over country, it's Robert Johnson, certainly the most celebrated figure in the history of the blues. Of course, his legend is immensely fortified by the fact that Johnson also left behind a small legacy of recordings that are considered the emotional apex of the music itself. These recordings have not only entered the realm of blues standards ("Love in Vain," "Crossroads," "Sweet Home Chicago," "Stop Breaking Down"), but were adapted by rock & roll artists as diverse as the Rolling Stones, Steve Miller, Led Zeppelin, and Eric Clapton….
The Lobbyist is the third studio album by American-Australian hard rocker, Diesel. It features twelve tracks: four live, five acoustic, and three studio recordings. The album was released on 9 August 1993 via EMI Records and was co-produced by Diesel with Don Gehman. It peaked at No. one on the ARIA Albums Chart and followed directly after his previous number-one album, Hepfidelity (1992)…
Supercharger's Goes Way Out gained instant access into the trash rock pantheon. From the recorded in a kitchen sound and ringing guitar feedback sequels to the bratty singing and pissed-off lyrics, this album is like a guidebook on playing and recording minimalist punk rock…