kc And The Sunsine

"All in a Night's Work" is the 9th studio album by the funk and disco group KC and the Sunshine Band. The album was produced by Harry Wayne Casey and Richard Finch and was released in August 1982 on the Epic label. "All in a Night's Work" sparked a brief return to success for the band, including the hit track "Give It Up", which became a #1 hit in the UK and Ireland, and reached #18 on the Pop charts in the United States.

Warner Music Group - X5 Music Group Presents Dance Grooves 70s And 80s - Disco, Soul And Funk album 25 original hits by the original artists. Includes tracks by Sister Sledge, KC And The Sunshine Band, Chic, Stacy Lattisaw, Narada Michael Walden, Aretha Franklin, Zapp and more.

The record company Rhino presents new releases from the popular series of budget box sets "The Collection", sold in the UK with a circulation of more than 600 thousand pieces. Once the flagship branded collection comes back with new covers, tracklist and new ideas. "Disco - The Collection" includes the major hits of the disco era from such chart conquers as Chic, Sister Sledge, Chaka Khan, KC & The Sunshine Band, Hot Chocolate and many others.

Boston-born producer and DJ and remixer, primarily known for his work on Disco and Soul recordings during the 1970s and 1980s. Early Boston Disco DJ known for playing at local Rhinoceros club and publishing the Boston nightlife and culture magazine Nightfall. Luongo provided mix/remix work for CBS and many other labels, and headed his own CBS imprint, Pavillion, for several years in the 1980s. He also performed some remix and production work in the UK.

Collection of hit music singles from the 1970s, 1980s and 1990s.

In 1972, the Stooges were near the point of collapse when David Bowie's management team, MainMan, took a chance on the band at Bowie's behest. By this point, guitarist Ron Asheton and bassist Dave Alexander had been edged out of the picture, and James Williamson had signed on as Iggy's new guitar mangler; Asheton rejoined the band shortly before recording commenced on Raw Power, but was forced to play second fiddle to Williamson as bassist. By most accounts, tensions were high during the recording of Raw Power, and the album sounds like the work of a band on its last legs – though rather than grinding to a halt, Iggy & the Stooges appeared ready to explode like an ammunition dump.