ke Loach

Ken Loach at the BBC (2011)
6xDVD9 | ISO | PAL 4:3 720x576 VBR | 1110 mn | 44.19 GB
Audio: English AC-3 Stereo @ 192 kbps 48.0 kHz | Subtitles: English
Extras: Menu, Movie Selection, Special Features | Genre: Drama | Country: UK

Ken Loach, one of the most admired and respected UK filmmakers of his generation began directing for the BBC in 1964. In his contributions to the BBC series The Wednesday Play from 1965-69–among them Up the Junction and Cathy Come Home–he would establish his reputation for making realistic social issue dramas. After feature film success in the late sixties, Ken Loach returned to television, directing the acclaimed series Days of Hope (1975) and the two-parter The Price of Coal (1977). In his films, Loach pushed the boundaries of television drama. He took filming out of the studio and introduced a documentary-style approach and, alongside producer Tony Garnett and writers such as David Mercer, Jim Allen, Jeremy Sandford, Nell Dunn and Barry Hines, he tackled controversial subjects from an often incendiary radical perspective.
Contains: The Big Flame, Three Clear Sundays, Days of Hope, The End of Arthur’s Marriage, In Two Minds, Up the Junction, The Price of Coal, Cathy Come Home and The Rank and File.

My Name is Joe - by Ken Loach (1998)

When recovering alcoholic and amateur football manager Joe (Peter Mullan) falls for health worker Sarah, who should know better, they both suspect the romance may be a bad idea, but it blossoms nevertheless. However, the lovers have very different ideas about how to deal with the problems Glaswegian life throws at them, and when Joe is forced to do some drug running to pay off a debt, their tentative relationship is in danger of spluttering to a halt.
A typically fresh and enlightening Loach comedy of misbehaviour in which the humour never risks undermining the serious social commentary, My Name Is Joe's uncompromising conclusion demonstrates that Loach is nowhere near to selling out on his ideals.

My Name is Joe - by Ken Loach (1998) [Repost]

When recovering alcoholic and amateur football manager Joe (Peter Mullan) falls for health worker Sarah, who should know better, they both suspect the romance may be a bad idea, but it blossoms nevertheless. However, the lovers have very different ideas about how to deal with the problems Glaswegian life throws at them, and when Joe is forced to do some drug running to pay off a debt, their tentative relationship is in danger of spluttering to a halt.

Deux artistes de deux pays et deux générations très différentes, Ken Loach et Edouard Louis, échangent sur l’art, le cinéma, la littérature et leur rôle aujourd’hui. Comment l’art peut-il, notamment, poser et repenser la question de la violence de classe ? Comment représenter les classes populaires comme ont tenté de le faire les deux auteurs du présent livre dans leur travail ? Et quel est le rôle de l’art dans un contexte politique mondial où les plus précaires se tournent vers l’extrême-droite ? …

Riff-Raff - by Ken Loach (1991)

Socialist-leaning British director Ken Loach kicked off a decade's worth of acclaimed cinema with this surprisingly comic tale of working class laborers at a North London building site, written by Bill Jesse, a real-life construction worker who died before the film's release. Scottish ex-con Stevie (Robert Carlyle) finds work on a non-union crew converting a hospital into luxury condos. Like most of his coworkers, Stevie is homeless and finds a place to live by squatting in an abandoned building.

L'écrivain et le cinéaste confrontent leurs réflexions sur le rôle de l'art dans un contexte politique mondial et notamment comment celui-ci peut déstabiliser les systèmes de pouvoir en plus de les décrire. …