Kepler Phillip Glass

On Philip Glass - Songs, Baritone Martin Achrainer and pianist Maki Namekawa give the world premiere recording of Glass's 1997 song-cycle Songs of Milarepa, about the spiritual journey of Milarepa, a Tibetan poet who lived 900 to 1,000 years ago. Martin Achrainer has quickly become a Glass specialist of a kind, having sung in multiple Glass operas including his breakthrough performance as Kepler, the title role of Glass's 2009 grand opera. Namekawa is one of the preeminent artists working with Philip Glass today. Chose by Glass in 2014 to be the first pianist to record his Complete Piano Etudes. The album concludes with Three Songs for Baritone and Piano which is a collection of songs drawn from two sources, Glass's 1989 song opera Hydrogen Jukebox which was created with Allen Ginsberg, and two songs from Monsters of Grace, a multimedia opera created with director Robert Wilson.

This low-budget Philip Glass opera, Les enfants Terribles, is based on a novel and play by Jean Cocteau, forming the third ring in Glass' trilogy of works devoted to the elaborate personal mythology of the great French visionary. Foregoing the controversial and dualistic 1949 film of Les enfants Terribles made by Jean-Pierre Melville, Glass decided to realize the visual element through a collaboration with choreographer Susan Marshall, re-creating Cocteau's story as a "dance opera." Les enfants Terribles is the most compelling Glass score beheld in many years.

It is not easy for a classical recording to truly inspire these days. This one does. Seeking common ground between the music of Friedrich Haendel and Philip Glass, Anthony Roth Costanzo alternatively sings works by the two composers in his beautiful raw soprano voice. He is accompanied by the early music Essemble Les Violons du Roy. Costanzo has created a musical unity that carriers the listeners with ease between the acoustic emotions of the Baroque and the Modern. A magnificent and moving recording.

This is different stuff…but I like it a lot. In fact, I like Steve Martland's music more than Phillip Glass. Phillip Glass was great for a start but once he became famous, all the songs sound the same. At least with Steve Martland the music is always different. The 1st section called "Danceworks" is simple Classical music with a rock beat, very jumpy & danceable, almost comical at times. The highlight is "Patrol", this is what many normally think as Classical music. This piece is the most haunting, loneliest piece of music I ever heard. At times the music seems like Arvo Part with its starkness, specially with the violins, yet Steve Martland holds onto his originality. Let me write it this way; if you want something different & feel very depress, either play "Danceworks" to left your spirits or if you want to remain depressed play "Patrol" to explore the uniqueness & mystery of your soul. - Amazon Reviewer

A 3-CD set, “Looking Through A Glass Onion” assembles these disparate strands into one cohesive package, with the studio day trippers, the cultural pranksters, the genre-benders, the folk club stalwarts and the hair-down-to-his-knees prog-rock brigade all grooving up slowly to the starting line.