Keramische Komponenten fr Fahrzeuggasturbinen Iii

One of the New Thing's extremely few trombonists and a greatly underappreciated composer of tremendous evocative power, Grachan Moncur III got his first major exposure on Jackie McLean's groundbreaking 1963 masterpiece, One Step Beyond. Toward the end of the year, most of the same musicians reconvened for Moncur's debut as a leader, Evolution; McLean, vibist Bobby Hutcherson, and drummer Tony Williams are all back, with Bob Cranshaw on bass and an extra voice in trumpeter Lee Morgan, moonlighting from his usual groovy hard bop style. While Moncur takes a little more solo space here, the main emphasis is on his talent as a composer. The four originals are all extended, multi-sectioned works (the shortest is around eight minutes), all quite ambitious, and all terrifically moody; much of the album sounds sinister and foreboding, and even the brighter material has a twisted, surreal fun-house undercurrent…

Drummer and composer Kendrick Scott presents Corridors, a striking new album that finds the Houston-born drummer and composer paring down to a trio featuring saxophonist Walter Smith III and bassist Reuben Rogers. The anticipated follow-up to A Wall Becomes A Bridge, Scott’s much-lauded 2019 release with his band Oracle, Corridors features eight original compositions and one new arrangement of a beloved tune from the Bobby Hutcherson canon.

Saxophonist and composer Walter Smith III enters a new era of his band leading career with his remarkable Blue Note debut return to casual, the long-anticipated follow-up to his self-released 2014 recording still casual. Eight original works (and one new arrangement) all composed within weeks of each other layer, displace, dismantle and reassemble among the Houston native’s fellow artists. Reprising their bandmate roles, pianist Taylor Eigsti, guitarist Matt Stevens, bassist Harish Raghavan, and trumpeter Ambrose Akinmusire reveal a seasoned depth of dimension alongside a featured guest appearance by pianist James Francies.

The health of the jazz ecosystem can be discerned by sampling musicians who use tried and true means to express themselves. By listening, it can be ascertained whether there is proper respect for the tradition blended with creative touches that move the music ahead. The piano trio is a perfect vehicle to demonstrate this phenomenon and Glenn Zaleski’s trio is an ideal example of a group that holds true to jazz traditions while trying to add something more.