Kevin Midnick

Harmonic Oasis (2002). In February 2002 Kevin Wood released his debut CD, "Scenic Listening". Each song on this album takes you to a different setting, such as a cathedral, a mountainside, a waterfall, etc. "Scenic Listening" earned the #4 top-album on the NAV Airwaves Chart, and is now licensed with Orange Music under the revised title name, "Harmonic Oasis". "Harmonic Oasis" stimulates the senses with artfully woven tribal grooves, Gregorian chants, and beautiful melodies. Rich string harmonies and fluid piano conjure vivid images and lush mindscapes.
Sacred (2006). Gregorian Chant, Native American voices, and various world vocals are artfully woven to create a rich tapestry of music that channels the wisdom of the ages. Let the rhythms, the beautiful melodies, and the ancient voices transport you to a place of wisdom, peace, and sanctity - to a place that is truly… Sacred.

Kevin Ayers is one of Rock's most important innovators, helping to launch Soft Machine, as their original bassist/vocalist, and later working with noted progressive musicians like Mike Oldfield and Steve Hillage. This 2 CD set of BBC radio sessions, compiled with the help of Kevin Ayers, tracks Kevin's discography from 1970 (when his band included his former Soft Machine friends) through to 1976. Featured here are several previously unissued recordings, including the earliest surviving example of Kevin's post-Soft Machine output. Among the musicians featured with Ayers on this compilation include Robert Wyatt, Mike Oldfield, Mike Ratledge, Andy Summers, Hugh Hopper, Lol Coxhill, David Bedford, Elton Dean, Archie Leggett, Ollie Halsall & Zoot Money.

Harmonic Oasis (2002). In February 2002 Kevin Wood released his debut CD, "Scenic Listening". Each song on this album takes you to a different setting, such as a cathedral, a mountainside, a waterfall, etc. "Scenic Listening" earned the #4 top-album on the NAV Airwaves Chart, and is now licensed with Orange Music under the revised title name, "Harmonic Oasis". "Harmonic Oasis" stimulates the senses with artfully woven tribal grooves, Gregorian chants, and beautiful melodies. Rich string harmonies and fluid piano conjure vivid images and lush mindscapes.
Sacred (2006). Gregorian Chant, Native American voices, and various world vocals are artfully woven to create a rich tapestry of music that channels the wisdom of the ages. Let the rhythms, the beautiful melodies, and the ancient voices transport you to a place of wisdom, peace, and sanctity - to a place that is truly… Sacred.

Very few musical compositions truly deserve that overworked adjective “unique,” but it accurately applies to William Walton’s Façade.”] Or perhaps we should call this mostly-early work Façades, as it is recorded here in three parts: “Façade – An Entertainment” (21 pieces dating from 1922); “Façade 2 – A Further Entertainment” (8 more pieces; 1978-79); and the four pieces of “Façade: Additional Numbers” (1922, 1977).

Not long after Island had disposed of his contract, Kevin Ayers hooked up with Harvest once again, releasing the mainstream-sounding Yes We Have No Mañanas in 1976. Although Ayers' symbolic banana references find their way into the title (the banana being his outlet for representing silliness in such a serious world ), the ten tracks find him singing some rather conventional pop/rock. Both "Star" and "Mr. Cool" were released as singles, with some noticeable guitar work from Ollie Halsall adorning both. Ayers made a name for himself by incorporating a unique brand of genial eccentricity into his music - 1970s Joy of a Toy and 1973's Bananamour, for example, as "The Ballad of Mr. Snake" and "The Owl" are typical of Ayers' discounted vaudeville-like fair…