‘New American Suite’ from the newly form trio Kevin Toney 3 is a quality collection of piano driven jazz of a standard that befits Toney’s track-record as leader of the legendary The Blackbyrds and thirty year recording artist in his own right. In fact with Toney on keyboards, Michael Bradford on bass and Chris Coleman on drums, Kevin Toney 3 are a collective united in both their religion and their music. They prayer together and play together while the album’s nine hugely cinematic tracks acknowledge in music what Toney identifies as a recent paradigm shift in the USA toward real, forward thinking change. This vibrant recording is not ‘easy on the ear’ smooth jazz but is a sophisticated collection that has the power both to defy genres and delight those who listen.
On An Evening of New York Songs and Stories, Vega revisits some of the most iconic songs in her repertoire as well as more hidden gems in a stunning live recording on which she is backed by longtime guitarist, Gerry Leonard, bassist Jeff Allen and keyboardist Jamie Edwards. The album was produced by Gerry Leonard, mixed by Grammy Award winning engineer Kevin Killen and mastered by Grammy Award winner, Bob Ludwig.
Verve 60th Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A combination of three sessions with three different small backing groups available currently on a Japanese CD – this is an early revealing example of Anita O'Day's growth as a jazz artist since her days as a big band thrush. Her virtuosity at fast tempos is right on the dot, and she is fearlessly willing to take wide-open liberties with the melodies.
If you've ever caught Taj live solo, this recording, cut during an appearance in Germany, is what you've been waiting for. His sublime performances of "Satisfied and Tickled Too" and "Candy Man" are out of this world. While the inclusion of tuba on a few tracks does prove somewhat annoying, for the most part this is an excellent example of what makes Taj a treasure.
Reissue with the latest DSD remastering. Comes with liner notes. It's unlikely that two major musicians could have more in common than Chick Corea and Herbie Hancock. Born a year apart, they both got their starts on Blue Note sessions in the early 1960s, worked extensively with Miles Davis (albeit in very different periods), and were among the architects and biggest successes of fusion in the 1970s. Equally distinguished as pianists and composers, they share many of the same influences, both in classical music (Ravel, Debussy, Bartók) and jazz (Davis, John Coltrane, and Bill Evans), and in the late 1970s, both were dividing their time between electric and acoustic projects.