Kill Kid606

This double CD 60 track compilation is an overview of rock 'n' roll from the west coast of America. As is the norm with such releases from Fantastic Voyage, the selection of tracks ranges from well known classics such as Eddie Cochran's 'Twenty Flight Rock', Gene Vincent's 'Lotta Lovin', 'The Worryin' Kind' by Tommy Sands and 'La Bamba' by Ritchie Valens through popular selections like Bob Luman's…

Samantha Fish’s prodigious gifts as a genre-bending singer, songwriter, and electrifying guitarist have inspired tremendous acclaim from critics and her peers and have earned an abundance of awards for the young artist. Now, with Kill or Be Kind, Fish is poised for a major breakthrough. The edgy roots music album was recorded at Royal Studios in Memphis and produced by three-time Grammy winner Scott Billington and mixed by two-time Grammy winner Steve Reynolds. Boasting 11 original songs ranging from the Mississippi technostomp of “Bulletproof” (played on cigar box guitar) to the sweet Memphis R&B of “Trying Not To Fall in Love With You,” the album features co-writes with Jim McCormack, Eric McFadden, Parker Millsap, Katie Pearlman, and Patrick Sweany and is sure to establish Fish as a potent force in roots music.

Stars Kill Rock is a collection of largely unreleased material from one of the '90s pre-eminent American indie labels, Kill Rock Stars, operated by Bikini Kill's Tobi Vail. While there are a few clinkers, most of the material is top-shelf; the music generally leans toward punk, and in keeping with the label's riot-grrrl aesthetic, most of the artists involved are female. Among the highlights are contributions from the cuddle-core quartet Tiger Trap, the British sexual terrorists Huggy Bear, and Boston folkie Mary Lou Lord.

Metallica's debut album Kill 'Em All has been remastered and will now be available as a deluxe boxset including 4LP/5CD/1DVD and includes a book with 64 pages. New essays, never-before-seen phtos, ticket stubs, tracking sheets and a Metallica patchThe true birth of thrash…

Pino Donaggio's score to the Brian DePalma psychological thriller Dressed to Kill vaults the composer to an altogether new level of mastery. With its unusually lengthy passages of dialogue-free narrative, DePalma's film relies heavily on Donaggio's score to communicate drama and suspense, and the composer responds with a hypnotically sensual work of extraordinary melodic complexity. His lush melodies perfectly articulate the intoxicating dread of DePalma's twisted erotic fantasia.