Rolling Stone Magazine released a list of "500 Greatest Songs of All Time" in November 2004. It represents an eclectic mix of music spanning the past 50 years, and contains a wide variety of artists sharing the spotlight. The Rolling Stone 500 was compiled by 172 voters comprised of rock artists and well-known rock music experts, who submitted ranked lists of their favorite 50 Rock & Roll/Pop music songs. The songs were then tallied to create the 500 Greatest Songs of All Time. The Magazine is included.
Rolling Stone Magazine released a list of "500 Greatest Songs of All Time" in November 2004. It represents an eclectic mix of music spanning the past 50 years, and contains a wide variety of artists sharing the spotlight. The Rolling Stone 500 was compiled by 172 voters comprised of rock artists and well-known rock music experts, who submitted ranked lists of their favorite 50 Rock & Roll/Pop music songs. The songs were then tallied to create the 500 Greatest Songs of All Time.
Archie Shepp started his career as a new thing firebrand, an acolyte of John Coltrane and a fierce advocate for civil rights. By the time these sessions were recorded in the late 60's and early 70's, Shepp had changed—developing a funky style of R&B tinged jazz that wasn't exactly fusion, but definitely showed an awareness of what people like James Brown and Sly Stone were up to. The first album on this 2-fer, is the rare disc For Losers, and it surprises you right from the jump with a straight up R&B tune called “Stick 'em Up," which wouldn't have sounded out of place on the AM radio of the time.
Sweet soulful jazz from reedman Hank Crawford – one of his killer Kudu sessions from the 70s – all of which really helped Hank redefine his sound! The setting here is large and full – put together beautifully by Bob James, with that sense of space for the soloist that makes his CTI/Kudu arrangements so crucial – and light years ahead of what other arrangers were doing at the time. The tracks are longish, but never overdone – and the record has all the soulful alto sounds of Crawford's 60s work at Atlantic, but with a definite 70s bent overall. James plays Fender Rhodes, Arp, and clavinet – and other players include Joe Farrell on tenor and flute, Idris Muhammad and Bernard Purdie on drums, and Richard Tee on additional keyboards.
Killer groovers from trumpeter Bobby Bryant – with more than enough force in the rhythms to make the entire earth dance! The mighty Wayne Henderson's along for the set, helping Bobby out – making one of his first steps away from the Jazz Crusaders to produce another artist – and really pointing the way towards some of his best jazz funk sessions of the 70s! The group is large, but mighty tight – and sports players like Ernie Watts on tenor, Joe Sample on keyboards, Herman Riley on saxes, Freddie Hill on trumpet, and George Bohannon on trombone – a wicked lineup that bounces nicely on electric basslines from Wilton Felder! There's a great crisp edge to all cuts – and titles include "While My Guitar Gently Weeps", "Happiness Is A Warm Gun", "Cristo Redentor", and Freddie Hubbard's "Crisis".
The soundtrack to the Queen biopic will please both casuals and obsessives. For the former, lots of hits: “Crazy Little Thing Called Love,” “Under Pressure,” and, of course, the grandiose title track among them. And for the latter, Queen struts out rare live tracks and fresh updates to classics. “We Will Rock You” merges a studio and live performance, “Don’t Stop Me Now” features newly recorded guitar parts from Brian May. The surviving members of Queen also recorded their very own arrangement of the famous 20th Century Fox theme. But the biggest jewel in the crown is the addition of five songs from the band’s dramatic 1985 Live Aid performance—a faithful re-creation of which serves as the movie's climax—now available for the first time. Ayyy-oh!