Killing Joke Bootleg Vinyl Archive

Gatherers of the world, Killing Joke have announced the release of Malicious Damage - Live At The Astoria 12.10.03. Released on September 6 through Killing Joke Records / Cadiz Music, the 2003 concert will be beautifully presented as a strictly limited edition DVD / vinyl and unlimited double CD.

Killing Joke are an English rock band from Notting Hill, London, England, formed in 1978 by Jaz Coleman (vocals, keyboards), Paul Ferguson (drums), Geordie Walker (guitar) and Youth (bass). The band's musical style emerged from the post-punk scene, but stood out due to their heavier approach, and has been cited as a key influence on industrial rock. Their style evolved over many years, at times incorporating elements of gothic rock, synth-pop and electronic music, often bearing Walker's prominent guitar and Coleman's "savagely strident vocals". Killing Joke have influenced many later bands and artists, such as Metallica, Nirvana, Nine Inch Nails and Soundgarden.

2008 live session recorded at KJ bassist Youth's studio in Granada, Spain . This was the first time that the original line-up (Jaz Coleman, Geordie, Youth and Big Paul Ferguson) had played together since 1982, in preparation for their 2008 world tour. Born during the Post-Punk movement of the late '70s, KJ's often erratic and convoluted career has done nothing to damage their reputation, which is reflected in the respect they now receive. 14 tracks including 'Requiem', 'Tension', 'Eighties', 'Love Like Blood' and more.

At the start of the 1980s, it dawned on somebody in charge of Jimi Hendrix's musical legacy that a whole generation of new listeners had come of age since the guitarist's demise. That meant it was time for a fresh raid on the vaults and a fresh, authorized album release to fly the flag of the Hendrix estate, amid the steady stream of bootleg, gray market, and other unauthorized collections of his early work starting to fill up record store bins and browsers. Kiss the Sky did not just resurrect and recycle old familiar recordings, but included a pair of tracks that were new to most listeners and had a lot of meaning for serious fans…

Crown of Creation appeared ten months after their last album, After Bathing at Baxter's, and it doesn't take the same kind of leap forward that Baxter's did from Surrealistic Pillow. Indeed, in many ways, Crown of Creation is a more conservative album stylistically, opening with "Lather," a Grace Slick original that was one of the group's very last forays (and certainly their last prominent one) into a folk idiom. Much of what follows is a lot more based in electric rock, as well as steeped in elements of science fiction (specifically author John Wyndham's book The Chrysalids) in several places, but Crown of Creation was still deliberately more accessible musically than its predecessor, even as the playing became more bold and daring within more traditional song structures…