When King Crimson regrouped in late 1994 (after being apart for more than ten years), they were not planning on taping one of their first shows together for release as a live album later on. But after completing a successful tour of Argentina, the band discovered that a poorly recorded bootleg had surfaced, and it was costing fans a pretty healthy sum. So like many other bands before them, King Crimson decided to beat the bootleggers and release an official live album themselves. The resulting two-CD set is worthy of any serious Crimson fan's time, due to an excellent song selection, inspired playing, and crystal clear sound (taken directly from a DAT soundboard tape). The classic '80s lineup, which appears on B'Boom, is that of Robert Fripp, Adrian Belew, Bill Bruford, and Tony Levin, joined by new members Pat Mastelotto (drums) and Trey Gunn (stick)…
The only progressive rock band from the '60s to be making new, vital, progressive music in the '90s, King Crimson returned from a ten-year exile in 1995 with THRAK, their first album since 1984's Three of a Perfect Pair. As with the '80s band, guitarist/ringleader Robert Fripp recruited singer/guitarist Adrian Belew, bassist Tony Levin, and drummer Bill Bruford for this incarnation of his classic band. However, he added to this familiar quartet two new members: Chapman Stick player Trey Gunn and ex-Mr. Mister drummer Pat Mastelotto. Effectively, Fripp created a "double trio," and the six musicians combine their instruments in extremely unique ways. The mix is very dense, overpoweringly so at times, but careful listens will reveal that each musician has his own place in each song; the denseness of the sound is by design, not the accidental result of too many cooks in the kitchen…
A 16 disc limited edition box set featuring studio and live recordings - many previously unreleased - from King Crimson's mid-1990s double trio line-up…
The 1994 return of King Crimson was timed perfectly, matching, in no particular order, one of the peak periods for CD sales, a time of great variety of radio formats in the USA, the growth of a number of bands who pointed eagerly to the influence of King Crimson - especially of the 1972-74 band - a more positive critical reception for the band, following the remasters of the catalogue, Frame by Frame and Great Deceiver boxed sets supervised by Robert Fripp. Such timing not only benefited from the release of the various musicians from their other musical commitments, but in Robert Fripp's case, the ultimately successful battle to regain control of King Crimson's catalogue.
Robert Fripp's "1999" CD from 1994 was released during a time when the legendary guitarist was making a major comeback. King Crimson had returned after a decade-long absence and Fripp re-emerged with his first solo performances in almost as long. 1994 also marked the birth of Fripp's 'soundscaping' technique which was and still is an extension of his 'Frippertronic' experiments of the 1970's and '80's. Instead of using two tape machines as had been the norm with 'Frippertronics', Soundscapes utilized digital technology and guitar-synthesizers to create and loop the endless mass of sound created by Fripp from his guitar. The idea was not a new one but the sound definitely was.
Asia are an English rock supergroup formed in London in 1981. The most commercially successful lineup was its original, which consisted of four members of different progressive rock bands who had enjoyed great success in the 1970s: lead vocalist and bassist John Wetton (King Crimson, Uriah Heep and U.K.), guitarist Steve Howe (Yes), keyboardist Geoff Downes (Yes and the Buggles) and drummer Carl Palmer (Emerson, Lake & Palmer). Their debut album, Asia, released in 1982, remains their best-selling album and went to number one in several countries. Billboard listed it as the top album in the U.S. in 1982. The lead single from the album, "Heat of the Moment", remains their top charting and best-known song, reaching the top 40 in over a dozen markets. It peaked at #4 in the U.S. on the Billboard Hot 100 and hit #1 on the Billboard Mainstream Rock chart.
As a member of the '80s edition of King Crimson, vocalist-guitarist Adrian Belew established himself as a progressive musician with a quirky stage persona and a head full of ideas…
Following on the heels of 2015’s captivating Inflamed Rides, the members of the powerful collective O.R.k. — lead singer Lorenzo Esposito Fornasari, Porcupine Tree bassist Colin Edward, Mart Sui Tubi guitarist Carmelo Peptone and King Crimson drummer Pat Mastelloto — were primed to deliver an even more potent statement for their sophomore offering. Coming off of a triumphant tour of Europe and South America, they were charged to take things up a notch. And so it was with Soul of an Octopus, their second recording and RareNoise debut. This one finds the four kindred spirits dealing in even deeper waters. “After Inflamed Rides we did around 30 shows in Europe, Argentina, Chile and Mexico this year,” says Fornasari. “That definitely helped us to reign in our sound and get to a more focused mutual vision. So all the pieces from the new album represent an honest and effective picture of who we are as O.R.k. right now. That said, people who have listened to the new stuff - included our booking agents - think this is at least four times more powerful and intense than Inflamed Rides.”