Limited 26 disc box set. Ultimate Boxed Set Edition of one of rock music's seminal debut albums. Blu-ray 4 features all-new, 2020, Dolby Atmos mix by Steven Wilson. Complete, fully mixed stereo recording sessions feature on Blu-ray, DVD and across six CDs. Blu-Rays also feature the original master edition of the 1969 album mix in 24/96 stereo, the 2019 stereo and 5.1 mixes, the 2009 stereo and 5.1 mixes, a complete alternate album comprising 2019 mixes and more…
King Crimson’s 1973 album Larks’ Tongues in Aspic is to be reissued for its 50th anniversary in an all encompassing four-disc set that includes brand new Steven Wilson Dolby Atmos, 5.1 and stereo mixes and “the complete recordings of every session recorded for the album”.
The complete audio history of one of the most important debut albums of all time is presented across 26 discs in this boxed set. Featuring a new Dolby Atmos mix by Steven Wilson, 6 CDs' worth of session material on CD & Blu-Ray for the first time (fully mixed by David Singleton), a further disc of newly compiled studio material, the box also includes the original studio album, every alternate take known to exist, every mix known to exist, all live recordings known to exist & a selection of pre/Crimson 1968 recordings.
King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album – largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of a City" and "The Devil's Triangle") – is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the dominant instrument here: The Mellotron, taken over by Fripp after McDonald's departure – and played even better than before – still remains the band's signature. The record doesn't tread enough new ground to precisely rival In the Court of the Crimson King.
A jazz piano-bass-drums trio performing the songs of the rock group King Crimson? That's what the Crimson Jazz Trio accomplished on this intriguing CD, King Crimson Songbook, Vol. 1, the first of several. By re-harmonizing the music a bit, adding vamps, and digging into the grooves, the Crimson Jazz Trio transforms the pieces from rock anthems into viable devices for jazz improvisations. Electric bassist Tim Landers has nearly as much solo space as pianist Jody Nardone; the trio (which also includes drummer Ian Wallace) works together very closely and they not only create new versions of unexpected material, but show that they have developed their own group sound. Recommended, particularly to listeners who are familiar with King Crimson's recordings.