King Crimson’s 1973 album Larks’ Tongues in Aspic is to be reissued for its 50th anniversary in an all encompassing four-disc set that includes brand new Steven Wilson Dolby Atmos, 5.1 and stereo mixes and “the complete recordings of every session recorded for the album”.
King Crimson’s 1973 album Larks’ Tongues in Aspic is to be reissued for its 50th anniversary in an all encompassing four-disc set that includes brand new Steven Wilson Dolby Atmos, 5.1 and stereo mixes and “the complete recordings of every session recorded for the album”.
King Crimson reborn yet again – the then-newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time – though some of it actually dated (in embryonic form) back to the tail-end of the Boz Burrell-Ian Wallace-Mel Collins lineup. And John Wetton was the group's strongest singer/bassist since Greg Lake's departure three years earlier. What's more, this lineup quickly established itself as a powerful performing unit, working in a more purely experimental, less jazz-oriented vein than its immediate predecessor.
'Larks' Tongues In Aspic', from 1973, is widely regarded as one of the truly great King Crimson albums. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. This 40th Anniversary edition features new mixes by Steven Wilson (Porcupine Tree) and Robert Fripp.
Alex "Stormy" Mundy and DGM present the unearthed treats from the murky, cavernous archives in the Stormy Monday series, some of which have been newly created from the archive of multi-track reels of tape that we just happen to have lying around the place. For 7 years, these have been available only as MP3s, and more recently FLAC, files, and are now available, for the first time on CD for the "landlubbers" among us.
As Robert Fripp had done with King Crimson's first live LP, Earthbound (1972), USA (1974) is a single-disc concert package documenting the quartet during its most concurrent swing through North America. As with its predecessor, USA was also issued as a sonic cenotaph of the concurrently defunct Krim…
DGM has long promised to bring the King Crimson Collectors' Club to 50 discs and we are pleased to announce a combined Club 49/50 to complete this special series. This CD/DVD set is packaged in a jewel case with much not-to be-missed material, including recently discovered live footage. The CD/DVD package features the complete final two shows played on July 11, 1984, partly used for the Absent Lovers release. The CD contains entirely unreleased tracks. The DVD contains both shows in full, as well as two sections of footage filmed by legendary bassist and stick player Tony Levin in 1982. The first footage shows approximately 25 minutes taken from the stage at the Place De Nations Montreal on 5th August 1982 (Please note that the footage is grainy.) The second portion of footage (some grainy, most is much clearer in resolution) is a real gem from shows at The Pier in New York and in Asbury Park, NJ, with backstage footage, narrated by Tony himself, showcasing backstage antics of the band as well as sound check and some cheeky footage of the cars being packed and artists preparing to leave the next day. The second footage runs just over 19 minutes.