Swapping out his rhythm section, Andrew Stockdale proves beyond a shadow of a doubt that he's the mastermind of Wolfmother on Cosmic Egg, creating a second record that is essentially a replication of the first, equally enamored with all the thick, heavy rock of the '70s, specifically Sabbath and Zeppelin, tempered with a little bit of Jack White caterwaul. All the sounds remain the same, but the songs have changed: with the occasional exception, such as the Stripes-ian salute "White Feather," Stockdale backs away from simple, brutal riff-driven songs, preferring churning exercises in heavy fantasy, sometimes colored with some Deep Purple organ.
The end of the 2010s was a bountiful time for Rammstein fans. In addition to another set from guitarist Richard Z. Kruspe's Emigrate side project, the industrial metal titans returned with their first album in a decade. All the while, frontman Till Lindemann was busy working on his own artistic endeavors, teaming with Lindemann co-conspirator Peter Tagtgren on 2018's modern stage adaptation of Hansel und Gretel. Songs from the appropriately dark and perverse retelling later found new life on Lindemann's sophomore effort, F&M ("Frau & Mann," German for woman and man). As on 2015's Skills in Pills, F&M allows both men to spread their wings away from their main duties with Rammstein and Pain. However, unlike that shock-hungry and often absurd debut, F&M balances the twisted camp that Lindemann is especially known for and infuses it with emotional heft.
Orianthi's third studio album, 2013's Heaven in This Hell, finds the virtuoso guitarist and singer moving away from the melodic pop/rock of 2009's Believe and toward a more adult contemporary and modern blues-rock sound. Working with producer and Eurythmics co-founder Dave Stewart, Orianthi co-wrote all of the songs on Heaven in This Hell. Whereas last time, tracks like, "According to You" and "Bad News" brought to mind a harder rocking take on "Since You've Been Gone"-era Kelly Clarkson, here, cuts like the swampy blues of "Fire" and the Jimi Hendrix-esque "Frozen" play up more of Orianthi's strength as ballsy, guitar slinging rock chick.
While their last album, the dubstep-drenched Path of Totality, felt like a real change in the way Korn did things, The Paradigm Shift finds the nu-metal pioneers once again changing things up on their 11th studio album. Returning to a more traditional sound, the record finds the band pushing the electronics back to a supporting role while putting the guitars up in the spotlight. Most notably, though, is the return of former guitarist Brian "Head" Welch, whose last appearance on a Korn record was a decade ago on Take a Look in the Mirror. The renewed partnership between Head and Munky is one that pays off, but not in the way longtime fans might expect. Rather than making a full-on return to the sort of guttural, shuddering sound the band made famous in the '90s, The Paradigm Shift is a much more driving and direct album…
Modjo is a 2001 self-titled debut album by the French house/pop band, Modjo. It includes the smash hit single, "Lady (Hear Me Tonight)".
Nightwish are a symphonic metal band from Kitee, Finland. The band was formed in 1996 by lead songwriter and keyboardist Tuomas Holopainen, guitarist Emppu Vuorinen, and former lead singer Tarja Turunen. The band soon picked up drummer Jukka Nevalainen, and then bassist Sami Vänskä after the release of their debut album, Angels Fall First (1997). In 2001, Vänskä was replaced by Marco Hietala, who also took over the male vocalist role previously filled by Holopainen or guest singers…
Sweden's Amaranthe is a metalcore band known for its mix of melodic pop and death metal. Formed in 2008, Amaranthe features several vocalists, with Eliza Reed and Jake E handling most of the soaring, clean vocals and Andreas Solveström taking care of the harsher, throatier vocal parts…
Sparkling out of the nouvelle vague of the French club/dance scene, uplifted by the success of the chart-topping single Lady (Hear Me Tonight), Modjo give away a shining continuum to their work through Modjo, their self-titled debut album. Introducing some fresh beats within the boundaries of the electronica style, the French duo combines classy and inspirational pieces of disco sound with original and superior instrumentation.