Magnus Lindberg burst onto the contemporary music scene in the 1980s with his early work Kraft (as in "power", and not the American food conglomerate and inventor of Velveeta cheese by-product substance), an avant-garde spectacular that took the "sound mass" procedures of Berio or Xenakis and wedded them to an explosive rhythmic energy. He's broadened his style since then, taking in tonal elements and even the occasional tune, but the rhythmic vitality remains, and his coloristic gifts, his ear for ever new and remarkable instrumental sound combinations, have only increased. Aura is a four-movement symphony as indescribable as it is a joy to hear. Dedicated to the memory of Lutoslawski, the piece shows its composer similarly possessed of a vibrant, communicative personal musical language. Although it plays continuously for about 37 minutes, newcomers to Lindberg's sound creations should start with the finale, a sort of dance that begins with simple tunefulness before finding itself in a sort of riotous minimalist hell. It's hugely fun, as is the entire work.
All three works on this disc are essential Birtwistle. Oliver Knussen is one of best conductors in the world. The London Sinfonietta needs no introduction. And NMC is one of the great independent labels. What else do you need?
Well, I know Birtwistle's music alienates some people, and in its way it is more radical than anything 50/60s Darmstadt serialism could offer. But it is perhaps also the most interesting, often in a extra-musical way.
Formed by members of the Britten Sinfonia, the Britten Oboe Quartet makes its debut on disc with a collection dedicated to the memory of Janet Craxton, who died in 1981, at the age of 52. She was a prominent figure in British contemporary music in the 60s and 70s and one of the founding members of the London Sinfonietta. She was also a distinguished teacher whose pupils included the quartet’s oboist, Nicholas Daniel.
The Amsterdam-based Schoenberg Ensemble ranks alongside the London Sinfonietta, the Ensemble Modern from Frankfurt and Ensemble Intercontemporain in Paris as one of Europe's most distinguished new-music groups. What began in 1974 when seven student instrumentalists got together with their teacher, Reinbert de Leeuw, to perform Schoenberg's Pierrot Lunaire has steadily diversified. At first, the group concentrated on the music of the Second Viennese School, but gradually its scope expanded: now the Schoenberg Ensemble has a core lineup of 14 musicians and a repertoire that stretches from the beginning of the 20th century to the present day.