Konrad Kyeser

Capella Antiqua München / Konrad Ruhland - Liebeslieder und Tänze der Renaissance
Capella Antiqua Munich / Konrad Ruhland - Love Songs and Dances of the Renaissance
EAC+LOG+CUE | FLAC: 212 MB | Full Artwork: 35 MB | 5% Recovery Info
Label/Cat#: Christophorus # CHE 0020-2 | Country/Year: Germany 1992, 1968
Genre: Classical | Style: Renaissance, Secular

Dr. Konrad Ruhland (19 February 1932 – 14 March 2010) was a German musicologist. He studied history, medieval Latin, theology, and liturgical history which helped him to gain extensive background knowledge for his musicological research. Under the Ruhland's leadership, a group of enthusiastic students in Munich formed the "Capella Antiqua" in 1956, one of the first groups to tackle the problems of reviving Early Baroque and Renaissance music using a scholarly approach…

Much has been said and written about Handel and Metastasio, and the composer’s supposed lack of interest in the librettos of the famous Roman poet. The fact is that Handel generally used adaptations of much older librettos which perhaps represented a bigger space of liberty for its work and conception of drama. Though Handel set to music only three librettos by Metastasio (Siroe, Poro and Ezio), we can hardly doubt he knew and recognised the qualities of their dramaturgy. Two of the three were successful and all of them gave him opportunity to write beautiful music.

Established in Miami, on life support in L.A., then finally burnished in New York City, the Konrad Paszkudzki Trio's aesthetic can be summed up in three words: mood, sizzle and swing. Their sound is classic yet timeless in its mode of expression, captivating ardent lovers of the jazz idiom and Tin Pan Alley tradition alike.
The focus is on standards - tunes collectively known as The Great American Song Book. Without imposing trite gimmicks or relying on overt displays of flash and technical wizardry, the trio stays true to the original musical and lyrical content of the material, with an emphasis on melodic elegance and swinging verve. The influence of Nelson Riddle, Oscar Peterson, Erroll Garner and Ahmad Jamal can be felt and heard, but is never blatantly mimicked…

Established in Miami, on life support in L.A., then finally burnished in New York City, the Konrad Paszkudzki Trio's aesthetic can be summed up in three words: mood, sizzle and swing. Their sound is classic yet timeless in its mode of expression, captivating ardent lovers of the jazz idiom and Tin Pan Alley tradition alike.
The focus is on standards - tunes collectively known as The Great American Song Book. Without imposing trite gimmicks or relying on overt displays of flash and technical wizardry, the trio stays true to the original musical and lyrical content of the material, with an emphasis on melodic elegance and swinging verve. The influence of Nelson Riddle, Oscar Peterson…

Established in Miami, on life support in L.A., then finally burnished in New York City, the Konrad Paszkudzki Trio's aesthetic can be summed up in three words: mood, sizzle and swing. Their sound is classic yet timeless in its mode of expression, captivating ardent lovers of the jazz idiom and Tin Pan Alley tradition alike.
The focus is on standards - tunes collectively known as The Great American Song Book. Without imposing trite gimmicks or relying on overt displays of flash and technical wizardry, the trio stays true to the original musical and lyrical content of the material, with an emphasis on melodic elegance and swinging verve. The influence of Nelson Riddle, Oscar Peterson, Erroll Garner and Ahmad Jamal can be felt and heard, but is never blatantly mimicked…

Membra Jesu Nostri (The Limbs of our Lord Jesus) is the single largest and most compelling of the 110 or so sacred vocal works left us by Dutch-German master Dietrich Buxtehude. Buxtehude is better known for his organ music and is rightfully acknowledged as a formative influence on Johann Sebastian Bach. However, Buxtehude's vocal output is slightly larger than that for organ, and he was a key player in the refinement of the German sacred concerto into what we now call the sacred cantata, which he and his wife inherited from its creator and his predecessor, Franz Tunder, in the town of Lübeck. In the years following Buxtehude's death in 1707, German composers of all kinds were gainfully employed writing cantatas in the thousands, Georg Philipp Telemann produced nearly 2,000 of them on his own.

Heinrich Albert (1604-1651) - Musikalische Kürbishütte
Cantus Cölln / Konrad Junghänel, lute & direction
EAC+LOG+CUE | FLAC: 256 MB | Full Artwork: 167 MB | 5% Recovery Info
Label/Cat#: Deutsche Harmonia Mundi # HMIOM 906-2 | Country/Year: Germany 1990
Genre: Classical | Style: Renaissance, Baroque, Secular, Vocal

"Heinrich Albert was a German composer and poet of the 17th century. He was a member of the Königsberg Poetic Society (Königsberger Dichterkreis). As a song composer, he was strongly influenced by Heinrich Schütz. (…) The poets would convene at the Kürbishütte, an arbor in Albert's garden, where the Linde dyke flows into the river Pregel. The council of Kneiphof had given the garden as a present to the organist in 1630. In his garden, Albert grew pumpkins and gourds, and the friends would carve their bucolic noms de plume into the gourds…"