Kremer Tchaikovsky

Wow! This is music making on a cosmic scale. You may hear some jaded critic offer up the following generic comment about this release: "These three players, gathered together for only the second time, naturally can't equal the subtle give and take of more established chamber ensembles." Bull. All three artists rank among the most inspirational and experienced chamber players of our time, and here they set the notes on fire in performances of shattering intensity, improvisational spontaneity, and (in the Tchaikovsky) Herculean grandeur. Argerich's performance of the concerto-like piano part of the Tchaikovsky Trio is especially impressive; she seems to know instinctively when to dominate the proceedings and when to let her partners take over; and the final "Theme and Variations"–a huge movement half an hour in length–seldom has sounded so cohesive and meaningful. As to the Shostakovich, well, what can I say? This is one of the most profoundly moving experiences in music, and how well this trio knows it! The three players find the perfect tempo for the third movement Passacaglia, then build the tragic finale as inexorably as fate itself.

Gidon Kremer's technical brilliance, inward but passionate playing, and commitment to both new works and new interpretations of old works have made him one of the most respected violinists in the world today.

Born in 2000, Swedish violinist Johan Dalene is already making an impact on the international scene. His refreshingly honest musicality, combined with an ability to engage with musicians and audiences alike, has won him many admirers. Johan began playing the violin at the age of four and made his professional concerto debut three years later. A student at the Royal College of Music in Stockholm, he has also worked closely with mentors including Janine Jansen, Leif Ove Andsnes and Gidon Kremer. Johan has been a prize winner at a number of competitions, most recently the prestigious Carl Nielsen Competition at which he won First Prize.

Tchaikovsky’s command of musical drama is in perfect evidence in Gidon Kremer’s quicksilver violin playing. His Balkan partners, Lithuanian cellist Giedre Dirvanauskaite and Georgian pianist Khatia Buniatishvili, display their association with Kremer in their seamless support and interaction with the violinist, particularly in the extended “Pezzo elagiaco” opening movement of the trio. The trio remains fully integrated through the variations to the coda; sumptuous and plush, Kremer’s is an excellent reading of Tchaikovsky in a small space.

Limited Edition. Renowned for his soaring melodies and dramatic style, Tchaikovsky was a master of many genres. This wide-ranging edition comprises his complete symphonies, orchestral suites and ballets, two celebrated operas, his great concertos, with significant excursions into his chamber and solo piano works, songs and sacred music - all interpreted by leading artists on Deutsche Grammophon and Decca.

Gidon Kremer … his tone colour changing in chameleon fashion to match mood and style. He is wispy and wiry in the spare, fugal opening, but as the music blossoms into Straussian warmth, he plays with a creamy, ripe sweetness that could grace an old Hollywood weepy. Yet there is always clarity in the playing, a feeling for the contours of the music and where they are leading. –Tim Homfray, The Strad, about Kremer s Bartók Violin Concerto