Kryptonim Farewell

It’s a story that even the best spy novelists couldn’t have invented, complete with double agents and the CIA vs KGB. In the midst of the cold war, a KGB mole passed on thousands of highly confidential documents to the French secret services, who, in turn, passed them onto the CIA. Revelations that ultimately led to the fall of the Eastern bloc

Uncover the journey that Doc Martin has been on for the past 18 years, follow the cast and crew as they film its 10th and final series, and discover the process behind making it.

As a new era begins for the British monarchy, Frankie Boyle takes a spiky look at the state of the royal family, assessing its future by examining its chequered past.

After the bizarre death of her brother, Johana Burwood must return home after four years to face her quirky family, including her estranged dad, her two competitive brothers and various significant others. The family is uncomfortable with each other at first, and their inner turmoil manifests itself in quarrels and outright fights. Johana is forced to face some secrets from her past when she runs into an old boyfriend who just can't seem to let go. It's only when tensions are at a breaking point that someone comes up with a brilliant idea that will send their departed brother off with incredible style.

All of Washington, D.C., is thrown into a panic when an extraterrestrial spacecraft lands near the White House. Out steps Klaatu (Michael Rennie, in a role intended for Claude Rains), a handsome and soft-spoken interplanetary traveler, whose "bodyguard" is Gort (Lock Martin), a huge robot who spews forth laser-like death rays when danger threatens. After being wounded by an overzealous soldier, Klaatu announces that he has a message of the gravest importance for all humankind, which he will deliver only when all the leaders of all nations will agree to meet with him. World politics being what they are in 1951, Klaatu's demands are turned down and he is ordered to remain in the hospital, where his wounds are being tended. Klaatu escapes, taking refuge in a boarding house, where he poses as one "Mr. Carpenter" (one of the film's many parallels between Klaatu and Christ)……

Written in 1898, Raymonda is deemed to be Glazunov's finest ballet, stately and melodious. Raymonda bids farewell to her betrothed Jean de Brienne, who presents her with a silk shawl as a farewell gift and goes to fight in the Crusades. She dreams of him, but her dreams are frequently interrupted by the ocurrence of a Saracen warrior. Abderakhman is fascinated by the beautiful noblewoman and ultimately attempts to abduct her, duelling with Jean who, by this time, has now returned home.

An American housewife (Jennifer Jones) vacationing in Italy reluctantly decides to put an end to her brief affair with an Italian academic (Montgomery Clift). She flees to Rome’s Stazione Termini, where she bids him farewell, but he begs her to stay. The film’s plot is simple; its production was not. The troubled collaboration between director Vittorio De Sica and producer David O. Selznick resulted in two cuts of the same film. De Sica’s version, Terminal Station, was screened at a length of one-and-a-half hours, but after disappointing previews, Selznick severely re-edited it and changed the title to Indiscretion of an American Wife without De Sica’s permission. The Criterion Collection is proud to present both versions of this controversial release.

Farewell, My Queen marks the return of acclaimed director Benoît Jacquot and brilliantly captures the passions, debauchery, occasional glimpses of nobility and ultimately the chaos that engulfed the court of Marie Antoinette in the final days before the full-scale outbreak of the Revolution. Based on the best-selling novel by Chantal Thomas, the film stars Léa Seydoux as one of Marie's ladies-in-waiting, seemingly an innocent but quietly working her way into her mistress's special favors, until history tosses her fate onto a decidedly different path. With the action moving effortlessly from the gilded drawing rooms of the nobles to the back quarters of those who serve them, this is a period film at once accurate and sumptuous in its visual details and modern in its emotions.