Kurena Ino

This is the masterpiece of 2CDs, splitting the music into improvisation (momentary composition) and / or composition. disc 1 is the improvised music by Axel, Ino, Imai. Guitar sound of Imai is hot and tingling, Ino plays careful his choice pizzicato and arcoexquisitely, and Axel's original sound bring 'out' into their music. Their atmosphere of music is special one, cannot be similar from every music. disc 2 consists of all Axel's composition. He play several tunes also on "die Enttauschung" (with Rudi Mahall, etc) but every tunes' structure is very vivid. Note drum playing by Nori, who is invited to play by Axel ! If jazz is survive in present day, this work is the real contemporary "jazz" today.

The Akademie für Alte Musik Berlin and soprano Christina Landshamer present a Telemann monography, consisting of his cantata Ino and instrumental works composed in the same period. Despite, or perhaps actually thanks to, Telemann’s use of just one singer, Ino is highly dramatic, depicting a desperate woman trying to save herself and her son from her husband turned mad, eventually throwing herself off a cliff and then transformed into a goddess. Telemann composed it two years before his death, and the score is exceptionally rich and colourful. The cantata is combined with his Overture in D Major, Divertimento in E-flat Major and Sinfonia melodica, each underlining the exceptional liveliness of this composer well into the ninth decade of his prolific life.

Ino was the wife of Athamas and thus the daughter-in-law of Aeolus, the god of the winds. For reasons that are not entirely clear, she incurred the resentment of Hera, the wife of the gods, who confused Athamas to such an extent that he shot one of his own sons and also wanted to kill the second - whereupon Ino threw herself into the sea with her offspring. In the end, mother and daughter are transformed into maritime deities. When Georg Philipp Telemann set this material to music, he was already well past eighty; musically, however, he exploded like a young man with a bright future ahead of him. The Ino of our new recording comes from the ranks of the Boston Early Music Festival: Amanda Forsythe, most recently celebrated as the irresistible "Serva Padrona", opens an aria recital with this demanding role, which portrays the opera composer Telemann from monodrama to lively comedy and looks ahead to upcoming productions.

Ino was the wife of Athamas and thus the daughter-in-law of Aeolus, the god of the winds. For reasons that are not entirely clear, she incurred the resentment of Hera, the wife of the gods, who confused Athamas to such an extent that he shot one of his own sons and also wanted to kill the second - whereupon Ino threw herself into the sea with her offspring. In the end, mother and daughter are transformed into maritime deities. When Georg Philipp Telemann set this material to music, he was already well past eighty; musically, however, he exploded like a young man with a bright future ahead of him. The Ino of our new recording comes from the ranks of the Boston Early Music Festival: Amanda Forsythe, most recently celebrated as the irresistible "Serva Padrona", opens an aria recital with this demanding role, which portrays the opera composer Telemann from monodrama to lively comedy and looks ahead to upcoming productions.

This album showcases music by the Mannheim composer, Georg Joseph Vogler: forgotten music written during the years 1779–82. It features the highly dramatic cantata Into for the neighbouring Darmstadt court, and a variety of pieces composed for Marie Antoinette, Queen of France, during Vogler’s trip to Paris in 1781–82. Fortepianist and ensemble leader Anders Muskens leads Das Neue Mannheimer Otchester with soprano Elisabeth Hetherington on this new release of never-before-recorded works.