Little is known of the life of Paschal de L'Estocart, the French composer of the late Renaissance who was roughly a contemporary of Claude Le Jeune (1528 -1600). He seems to have been sympathetic to the Protestant Reformers – he spent considerable time in Germany and his music was published in Geneva – but later in life he applied unsuccessfully to the French King for a position at an abbey. His collection of psalms and motets, Sacrae Cantiones, 16 of which are recorded here, are mostly in French, along with several in Latin, and was dedicated to Calvinist Count Palatine Johann Casimir in 1582. This collection also includes his Ode in 12 parts, set to religious texts in French. L'Estocart's music is typical of late Renaissance polyphony, eclectic in its use of a cantus firmus, imitative counterpoint, and homophonic writing, with an unusually free use of dissonance. The French mixed a cappella ensemble Ludus Modalis, led by Bruno Boterf, specializes in music of this era and sings with passion and authority. Intonation is immaculate and tone quality is pure and unforced. The recorded sound is clean, but spacious and warm.
Mexique, jour de finale de la Copa Libertadores qui couronne le club de foot champion d’Amérique latine. Un match à haut risque, qui oppose pour la première fois à ce niveau de la compétition les équipes rivales de la frontière, les Chacals et les Coyotes, toutes deux aux mains des cartels de la drogue. Quelques heures avant le coup d’envoi, le cadavre de l’entraîneur des Chacals est retrouvé dans un terrain vague. …
C’est au cours de cet entretien avec Olivier Le Naire que Pierre Rabhi s’adresse aux autres, mais aussi à lui-même, comme il ne l’avait jamais fait jusqu’à présent. Il évoque au fil des pages son parcours et son action, ses plus belles rencontres ainsi que ses émerveillements, le tout à travers un regard rétrospectif voire autocritique. …