Lẩu Vanderkam

The early nineteenth century was an era of great stylistic changes in music, as composers searched for new forms of expression and tonal possibilities, which spurred rapid innovation in the field of instrument design and manufacturing. A larger sound spectrum and greater variety of technical possibilities became a defined ideal. Ludwig van Beethoven and Friedrich Kuhlau were musical giants of their time, both seeking to exploit fully the potential brought by these new developments. Beethovens Serenade bends the boundaries of Classicism with impulsive dynamic changes and contrasting motifs, while Kuhlaus Grande Sonate Concertante eagerly explores a more Romantic aesthetic, containing an expressive freedom in its virtuosic writing and rich harmonic textures.

Kevin Lau is one of Canada’s most active young composers. A prolific composer of orchestral, chamber, ballet, and film music, he served as the Toronto Symphony Orchestra’s RBC Affiliate Composer from 2012-2015. He recently composed the score for the National Ballet of Canada’s original full-length ballet Le Petit Prince (2016), and has since collaborated with choreographer Guillaume Côté on a second ballet (Dark Angels, commissioned by the National Arts Centre Orchestra.) His music has been recorded commercially on many albums, including the JUNO-nominated fusion album “Spin Cycle” (Centrediscs), featuring the Afiara String Quartet and DJ Skratch Bastid. Kevin holds a doctoral degree in music composition from the University of Toronto where he studied with renowned Canadian composer Christos Hatzis.

The "Godfather Of The Kung-Fu Film" created this rousing epic of a seemingly suicidal mission to destroy the Japanese Navy's flagship in 1937, featuring many great actors he had worked with over the years. Their courageous and desperate attempts to do just that comprise the remarkable action in this rousing epic, featuring some of the greatest actors Chang had ever made, was making, and would ever make famous.

80s/up till mid 90s Hong Kong cinema is like a box of chocolates… you most definitely don't know what you're going to get. While magical in some respect this disregard for audiences need for rhyme, reason and logic, Scared Stiff takes a long while to warm up to even if you're into this abuse Hong Kong filmmakers put one through. Starting very strangely with Halley (Eric Tsang) as the object of desire for women due to him trying to keep his virginity or being chaste in general, best friend Miao (Miu Kiu-Wai) doesn't mind stepping in when Halley won't perform. It seems that way anyway because I'm not sure what is reality sometimes in the earlier stages of the film. But best friends they definitely are as Halley even dresses up as a house robot so Miao can impress his date. Then slowly darkness creeps in as the car the two are in gets overtaken by robbers and Miao is injured in the subsequent car crash. The doctors notices his brain waves are unusually strong and possibly ESP is being heightened in Miao. Doctors (played by Wu Fung and Emily Chu) take Miao on an experimental journey where he's forced to enter the dreams of madmen in order to further the study of what makes madmen. Being reluctant over and over again, Miao hangs on so that he can score with Emily Chu's character and then Chow Yun-Fat turns up as a knife wielding killer who is also a cop…

Johnson Lau and his expert collaborators present cutting-edge techniques for study of the hepatitis C virus, a disease afflicting over 100 million people worldwide. The methods range from the detection of anti-HCV in serum and HCV in liver tissue to HCV genotypes and the detection and quantification of HCV in serum.