L'eloquenza Dei Simboli

The opening Overture (Suite) in A minor is one of Telemann's most ambitious concerted works, running to seven distinct dance movements in 30 minutes. The rhythmic shifts in the "Air à l'Italien" are pretty abrupt and really catch your attention. Of the three concertos, the Double Concerto in A minor for flauto dolce and viola da gamba is a standout, owing to its occasionally explosive gestures and knotty emotionalism. All of these works have been recorded numerous times, but most commonly on the standard transverse flute, but only the F major concerto was originally written for flute, and many versions of the Overture in A minor show signs of having been somewhat condensed.

In Holland in the 1720s the transverse flute enjoyed considerable popularity among amateur musicians. Aware of that keen interest, the publisher Michel Le Cene decided in 1729 to present his customers with the very first collection of concertos for flute and orchestra. Vivaldi responded to his request by refurbishing several older works. Only one of them was already in the modern concerto form: the Concerto in F major for recorder and strings. Another four pieces were hybrid in form and still close to chamber works. The predominant role of the recorder or flute in those four concertos made them ideal for adaptation.