L'intéressante et rigoureuse théorie de Norman Walker se fonde sur l'idée que l'état de santé de chaque organe, glande et cellule de notre corps dépend de celui du côlon. Elle appréhende tous les organes du corps dans leur relation avec l'intestin, siège du système immunitaire et de la santé de l'organisme. …
A TRIPLE-CD of radio broadcast live recordings of Minneapolis' finest. Two of the discs feature Hüsker Dü live action, taped at a 1981 show in Portland and in Minneapolis 1985. Disc #3 features a fine 1989 performance, given by singer-guitarist Bob Mould (after the band split up) at a radio station in Germany.
Musica Baltica Volume 4 Johann Jeremias Du Grain was on familiar terms with the musical greats of his era. He learned the musical trade from Telemann, who was already famous at the time, and he assisted the very busy Handel with the composition of a festive cantata for the five hundredth anniversary of Elbing, his chosen place of residence. One hears traces of these illustrious surroundings in Du Grain's own cantatas, which Andrzej Szadejko and the Goldberg Baroque Ensemble are now presenting for the first time on this audiophile multichannel release in the Musica Baltica series. Du Grain's cantatas not only represent the very best of their times; they are also extraordinarily appealing.
The OPL and Gustavo Gimeno continue their acclaimed PENTATONE series of composer portraits with a monograph of a living composer, Francisco Coll. In Coll’s music, the past and present converge in a single space, by realising a contemporary sound world while creatively employing traditional forms and influences, be it a classical genre (Violin Concerto and the “grotesque symphony” Mural) or his musical roots (Four Iberian Miniatures). With pieces composed between 2005 and 2019, the album traces Coll’s spectacular musical development, from his studies under Thomas Adès in London to his present bloom. The lush, sensuous nature of his orchestral writing fully comes to life in these performances. Besides the strong relationship between Coll and conductor Gimeno, this new release also showcases the exceptional violinist Patricia Kopatchinskaja, for whom he has written several works, including his violin concerto, first recorded here.
Staged and costumed by Laurent Pelly, with sets by Chantal Thomas and choreography by Laura Scozzi, this production of La Belle Hélène never forgets for one moment that Offenbach’s parody of the origins of the Trojan war -clearly recognisable in his day as a satire on the moral laxity of Second Empire high society- is, above all, a supreme manifestion of his comic genius. From start to finish it combines a musically superb performance with a stream of visual humour that flows from Pelly’s core idea that the action all takes place in the imagination of a sleeping, sex-starved, suburban housewife. Dame Felicity Lott is magnificent as the woman who gets into bed beside her somnolent old husband and dreams of being the most beautiful woman in the world, entangled in amorous adventures with the virile young Paris, tastily portrayed by Yann Beuron. And just as dreams do not respect the normal limitations of logic, time and place, so her nighttime fantasies combine the everyday with the mythical, and muddle up Greece, ancient and modern.
Avez-vous parfois l'impression de ne pas toujours faire bon usage de votre temps ? La sensation que les journées sont trop courtes ? Remettez-vous souvent au lendemain des projets pourtant si importants pour vous ? …