L'ira di Tiamat

In Baroque opera the dramatic figure of Gaius Julius Caesar received a considerable amount of attention from librettists and composers alike, and not just from G.F. Handel working with Nicola Francesco Haym. With Giulio Cesare, a Baroque hero, Raffaele Pe creates a full recital devoted to the Ancient Roman warrior and Dictator of the Republic, drawn from operas spanning the length of the eighteenth century.

Over the course of the 1990s, Sweden's Tiamat evolved from a typical death metal outfit into one of the leading lights in "symphonic" black metal. A variation that aimed to keep all of death metal's darkness intact, symphonic black metal portrayed that darkness it in a moodier, atmospheric manner, often making synthesizer arrangements just as important as guitar riffs and utilizing a deliberate, Gothic feel…

Limited edition 2008 13 disc (12 CDs + PAL/Region 0 DVD) box set featuring all the albums from the Swedish Metal band released on the Century Media label in one noble solid box with gold foil print plus a DVD: The Church Of Tiamat.. Contains a total of 131 audio tracks, which translates to over 10 hours of head banging playing time! Includes a 64-page booklet with all lyrics.

Not even Tiamat's previous achievements and accelerated evolutionary pace could have prepared fans and critics for the unbelievable sounds contained in the band's fourth album, 1994's groundbreaking Wildhoney. The album elevated the group's combination of lingering death metal roots and ambient soundscapes to unparalleled heights of invention. Not necessarily a concept album in the lyrical sense, the record still operates as a virtually seamless aural experience, as tracks are often grouped into extended suites. The sounds of a running stream and chirping birds (actually the 30-second title track) introduce "Whatever That Hurts," which effortlessly shifts from its slow, massive riff to a surprisingly beautiful melody, each section topped with Johan Edlund's death metal grunting and gentle whispering vocals, respectively…

A Deeper Kind of Slumber moves Tiamat even farther away from traditional heavy metal, with synthesizers dominating the arrangements and Johan Edlund doing completely away with metal growling in favor of an unearthly croon. Although it's not very metallic, the music is quite heavy in its own way, creating a numb, sleepy ambience that feels both introverted and resignedly pessimistic; perhaps this is due to Edlund's conceiving the album at home with little outside input, and his relationship difficulties at the time. A Deeper Kind of Slumber is perhaps a cut below Wildhoney in terms of consistent listenability, but Tiamat certainly cannot be accused of refusing to develop or experiment.