L'oncle Charles

Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right–cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character–from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)–is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package.

Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right–cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character–from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)–is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package.

Andrew Davies isn't much of household name in the U.S., but he's the king of the BBC mini-series. His skillfully adapted scripts for Pride & Prejudice (the beloved Colin Firth version) and many, many more are peerless examples of classic novels done right–cunningly edited and shaped to let all the rich emotion and sharp intelligence spill over with zip and vigor. Bleak House is no exception; it's one of the best Dickens adaptations to date. The mini-series form allows Dickens' panoramic view, brimming with eccentric characters and complex turns of plot, to sprawl out without losing an iota of suspense or momentum. Two innocent young orphans (Patrick Kennedy and Carey Mulligan) are the potential heirs to a fortune, but their fates are snarled in a monumental legal battle known as Jarndyce and Jarndyce. But the heart of the story is another orphan, Esther Summerson (Anna Maxwell Martin), whose mysterious parentage proves to be intertwined with the fate of the Jarndyce wards and the aloof Lady Dedlock (Gillian Anderson, The X-Files). Dickens' story twines through an excoriating vision of the legal system to heartbreaking domestic drama to a murder investigation to near-Gothic horror, all broken into utterly delicious half-hour segments (after the hour-long opening episode). Martin is utterly beguiling, homely at one moment and luminous the next; Anderson's grippingly eerie and brittle performance will delight her fans. But to single out anyone seems absurd, because every character–from the vicious lawyer Tulkinghorn (Charles Dance, White Mischief) to the foppish parasite Skimpole (Nathaniel Parker, The Inspector Lynley Mysteries) to the simpering clerk Guppy (Burn Gorman)–is intricately drawn, all hitting a mesmerizing balance between caricature and stark emotional honesty. Bleak House demonstrates that humor, pathos, and social criticism can all be contained in one wonderfully entertaining package.

Charles Pathé et Léon Gaumont ont révélé au monde la magie du cinéma. À travers des archives rares et des extraits de films marquants des débuts du septième art, ce passionnant documentaire dévoile leur incroyable aventure.

Charles Causley was one of the great poets of his generation. Born in 1917 in Launceston, north Cornwall, on the edge of Bodmin Moor, the only time he left was for active service in the Royal Navy during the Second World War. His father died when he was a boy as a result of a gas attack in the trenches of World War One and he lived the rest of his life in the same house as his mother. He knew everyone and they knew him. He devoted his life to teaching, poetry and his mum. Charles Causley said that everything you needed to know about him was in his poetry.

Charles Rennie Mackintosh, architect, designer and artist is celebrated around the world as one of the most significant talents to have emerged in the period from the mid 1890s to the late 1920s.

What has become of the gloomy, majestic house in Rochester where the skeletal Miss Havisham resided? Does Joe Gargery’s cottage still stand in Chalk? And what became of the notorious Bowes Academy, the harshest of the Yorkshire schools now known to the world as Dotheboys Hall?

He had to battle prejudice, ignorance and his own fear in his search for the truth. More than any other scientist, he changed mankind's view of the world and our place in it. Charles Darwin's theory of evolution stands as one of the most important discoveries in the history of science.

The coronation of Charles III and his wife, Camilla, as king and queen of the United Kingdom and the other Commonwealth realms took place on 6 May 2023 at Westminster Abbey. Charles had acceded to the throne on 8 September 2022, upon the death of his mother, Elizabeth II.