l Apuntamento

Mauro Borgioni, Alessio Tosi, Allabastrina, Elena Sartori - Rossi: L'Orfeo (2021)

Mauro Borgioni, Alessio Tosi, Allabastrina, Elena Sartori - Rossi: L'Orfeo (2021)
FLAC tracks +booklet | 03:53:47 | 1,29 Gb
Genre: Classical / Label: Glossa

Today's music lovers associate L’Orfeo first and foremost with Claudio Monteverdi's famous opera from 1607, while the version by Luigi Rossi (1597-1653), premiered four decades later, has remained less well-known. Rossi had served as a musician first for the noble families Borghese and Barberini in Florence and Rome, respectively, before he moved to France in 1646, where he became the most respected composer at the court of Cardinal Mazarin.His L'Orfeo, with a libretto by Francesco Buti, was premiered on 2 March 1647 at the Théâtre du Palais-Royal in Paris. It was one of the first operas ever performed in France. The premiere was magnificently staged, full of magnificent sets and machinery, with over 200 people employed to work on the scenery. The performance lasted about six hours and was a great success for Rossi. Twenty years after the first recording by Les Arts Florissants and William Christie, Elena Sartori and her ensemble Allabastrina present now the second recording of this opera. The total playing time is slightly under four hours, almost Wagnerian proportions. Sartori uses exclusively Italian forces (17 solo singers and choristers), with the Baroque experts Francesca Lombardi Mazzulli (Orfeo) and Emanuela Galli (Euridice) in the main roles.
Les Nouveaux Caractères & Sébastien d'Hérin - Campra: L'Europe Galante (2018)

Les Nouveaux Caractères & Sébastien d'Hérin - Campra: L'Europe Galante (2018)
WEB FLAC (tracks) - 646 Mb | MP3 CBR 320 kbps - 287 Mb | Digital booklet | 02:02:45
Classical, Opera | Label: Château de Versailles Spectacles

Campra was the most important opera composer between Lully and Rameau. The success of Europe Galante in 1697 is a tribute to this founding work of the Opera-Ballet, mixing dance and opera in the opulent divertissements. Campra takes the spectator on a voyage into the amorous nations of Europe. France moves to the rhythm of the genteel heartbeat of the shepherds and the shepherdesses, Italy refined but jealous and violent and finally the Sultan who has to soothe the criminal bitterness of the Sultana, who has been ousted by a beautiful slave… Spicy musical banter during the reign of Louis XIV, recovered by Les Nouveaux Caracteres directed by Sebastien d'Herin.
Tjeerd van der Ploeg - Tournemire: L'Orgue Mystique (2024)

Tjeerd van der Ploeg - Tournemire: L'Orgue Mystique (2024)
FLAC (tracks), Lossless | 6:16:12 | 1.44 Gb
Genre: Classical

A substantial survey of a modern landmark in French organ literature, full of colour, mystery and joy.

Tjeerd van der Ploeg - Tournemire: L'Orgue Mystique (2024)  Music

Posted by ciklon5 at July 31, 2024
Tjeerd van der Ploeg - Tournemire: L'Orgue Mystique (2024)

Tjeerd van der Ploeg - Tournemire: L'Orgue Mystique (2024)
FLAC (tracks), Lossless | 6:16:12 | 1.44 Gb
Genre: Classical

A substantial survey of a modern landmark in French organ literature, full of colour, mystery and joy.
Orchestre National des Pays de la Loire feat. Pascal Rophé - Dukas: Polyeucte Overture & L'apprenti sorcier - Roussel: Le festi

Orchestre National des Pays de la Loire feat. Pascal Rophé - Dukas: Polyeucte Overture & L'apprenti sorcier - Roussel: Le festin de l'araignée (2019)
WEB FLAC (Tracks) 216 MB | Cover | 59:45 | MP3 CBR 320 kbps | 142 MB
Classical | Label: BIS

Under its music director Pascal Rophé, l’Orchestre National des Pays de la Loire (ONPL) here performs two great orchestral spectaculars of French music – scintillating and imaginative scores composed only 15 years apart. A perennial favorite, Paul Dukas’ symphonic poem The Sorcerer’s Apprentice (1897) became a ‘hit’ with the general public after being included in the soundtrack of the Disney animation film Fantasia in 1940.
Bertrand Cuiller, Jean-Luc Ho & Les Meslanges - Couperin L'Alchimiste: Les Années de jeunesse (2020)

Bertrand Cuiller, Jean-Luc Ho & Les Meslanges - Couperin L'Alchimiste: Les Années de jeunesse (2020)
FLAC tracks +booklet | 03:16:06 | 515 Mb
Genre: Classical / Label: harmonia mundi

For the second volume in his Couperin series, keyboard virtuoso Bertrand Cuiller paints a portrait of a young Couperin who, at the age of only seventeen, was appointed organist of Saint-Gervais in Paris - a prestigious position to attain at any age. It was also a position that soon translated into his appointment as organist of the king and harpsichord master of the royal children. Couperin's compositions from this period are marked by a surprising maturity of writing. Bertrand Cuiller's eloquent performances reveal all the diversity and color present in these works.
Noelle Spieth - Couperin: L'Œuvre pour clavecin (2003) (10 CDs Set)

Noelle Spieth - Couperin: L'Œuvre pour clavecin (2003) (10 CDs Set)
EAC Rip | FLAC (Image+.cue, log) | 10 CDs, 11:26:20 min | 4,4 Gb | Scans & booklet-> 800 mb
Genre: Classical / Label: Solstice

Noëlle Spieth (Solstice, record 1990-2003): the inescapable reference, with recordings that have matured over 13 years, thanks to a courageous independent label. Under the agile fingers of Noëlle Spieth, an incessant kaleidoscope of multicolored images unfolds, as the artist approaches Couperin as a painter. Never the enigmatic titles of each piece will have borne their names as well, real sketches on the spot, affectionate or ironic, without ever malice. The key word of Noëlle Spieth is movement and contrast. Alternately capable of brushing teeming storms, of approaching movements in the luthed style with emotion and modesty, the harpsichordist moves and surprises each note.
Alessandro Corbelli, Alex Esposito, Donizetti Opera Choir, Donizetti Opera Orchestra - Donizetti: L'ajo nell'imbarazzo, A. 11

Alessandro Corbelli, Alex Esposito, Donizetti Opera Choir, Donizetti Opera Orchestra and Vincenzo Milletarì - Donizetti: L'ajo nell'imbarazzo, A. 11 (2025)
FLAC (tracks), Lossless | 2:09:39 | 583 Mb
Genre: Classical

Donizetti’s L’aio nell’imbarazzo (‘The Embarrassed Tutor’) is a melodramma giocoso in two acts, premiered to considerable acclaim in 1824. Its subject is the belated attempt by the elderly Marquis Giulio to keep his sons innocent of the ways of world and the comedy of errors that result. Two years later Donizetti drastically revised the opera, which duly appeared under the title Don Gregorio. This production uses the critical edition and restores the work, as far as possible, to Donizetti’s original conception – including excised arias, and emphasising the composer’s sparkling orchestration.
Marco Mencoboni, Cantar Lontano, Francesca Boncompagni, Massimo Altieri - Giannettini L'uomo in bivio (2021)

Marco Mencoboni, Cantar Lontano, Francesca Boncompagni, Massimo Altieri - Giannettini L'uomo in bivio (2021)
FLAC tracks / MP3 320 kbps | 1:26:13 | 414 / 197 Mb
Genre: Classical / Label: Glossa

This recording is released on the occasion of the 300th anniversary of the death of Antonio Giannettini (1649-1721), a composer almost unknown today, who musically can be placed on a level with Stradella and Pasquini, generally regarded as the pinnacle of late 17th century Italian music. Giannettini received his training from Sebastiano Enno, Carlo Grossi and probably from Giovanni Legrenzi in Venice. He worked at St Mark's Cathedral from 1674, first as a singer and from 1677 as an organist. In 1686 he was appointed maestro di cappella at the court of Modena, a position he was to hold until his death in 1721. Giannettini wrote about 20 stage works, oratorios, cantatas, masses and other sacred music.
Pierre Schaeffer - Solfege de l'objet sonore (1967) {3CD Set, Ina-GRM ina c 2010/11/12 rel 2005}

Pierre Schaeffer - Solfège de l'objet sonore (1967) {3CD Set, Ina-GRM ina c 2010/11/12 rel 2005}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 481 Mb | MP3 @320 -> 311 Mb
Full Artwork @ 600 dpi (jpg) -> 523 Mb | 5% repair rar
© 1967, 2005 Ina-GRM | ina c 2010/11/12
Classical / Electroacoustic / Electronic / Musique Concrète

It is a well-established fact that our approach to music is generally twofold: this is the physicists' as well as the musicians' doing. One the one hand, music is considered to be based on acoustics, or even mathematics, which ought to give it the status of a science; on the other hand , it is acknowledged that it proceeds from psychological and sociological phenomena which, over the ages, have developed into an art, itself depending on various crafts. There is no longer any contradiction between the two approaches so long as one is prepared to accept them jointly, with enough insight to respect the methods proper to each end of the "chain."