la Boz Galana

La Boz Galana - Los ecos de Manzanares: Cancionero de la sablonara (2020)

La Boz Galana - Los ecos de Manzanares: Cancionero de la sablonara (2020)
WEB FLAC (tracks+booklet) - 303 MB | Tracks: 16 | 60:31 min
Style: Classical | Label: Brilliant Classics

Love songs and instrumental interludes from 17th-century Madrid in lively and beguiling, historically informed performances.

La Boz Galana - D'Amor mormora il vento (2020)  Music

Posted by delpotro at Jan. 16, 2020
La Boz Galana - D'Amor mormora il vento (2020)

La Boz Galana - D'Amor mormora il vento (2020)
WEB FLAC (tracks) - 257 Mb | MP3 CBR 320 kbps - 160 Mb | Digital booklet | 01:09:40
Classical, Vocal | Label: Ramée, Outhere Music

In this programme, La Boz Galana takes a journey through the popular idioms of Italian and Spanish composers who worked in Italy, among them Kapsberger, Landi, and other less well-known figures such as Arañés, Stefani and Milanuzzi. As a result of a centuries-old practice – the repertoires of frottole and strambotti, for example – these composers created a ‘lighter’ genre using popular musical forms based on poetic texts related to them, both Italian and Spanish. Meant to transmit the expressivity of exquisite poetry in conjunction with music, these short and seemingly simple songs appear as succinct miniatures embodying the boundless desire of amateur musicians to shape their intimate musical worlds and engrave the poems in their memories. These pieces were the ‘pop songs’ of their time, and are often true gems of their kind.
La Boz Galana - D'Amor mormora il vento (2020) [Official Digital Download 24/96]

La Boz Galana - D'Amor mormora il vento (2020)
FLAC (tracks) 24-bit/96 kHz | Time - 69:29 minutes | 1.31 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

In this programme, La Boz Galana takes a journey through the popular idioms of Italian and Spanish composers who worked in Italy, among them Kapsberger, Landi, and other less well-known figures such as Arañés, Stefani and Milanuzzi. As a result of a centuries-old practice – the repertoires of frottole and strambotti, for example – these composers created a ‘lighter’ genre using popular musical forms based on poetic texts related to them, both Italian and Spanish. Meant to transmit the expressivity of exquisite poetry in conjunction with music, these short and seemingly simple songs appear as succinct miniatures embodying the boundless desire of amateur musicians to shape their intimate musical worlds and engrave the poems in their memories. These pieces were the ‘pop songs’ of their time, and are often true gems of their kind.