la Volpa\

“A moving performance, well cast and with sympaethetic conducting from Carlo Rizzi…Shicoff is in splendid voice, phrasing and shaping his big set-pieces sensitively, and Edita Gruberova makes a moving Violetta.” (Penguin Guide)

Pour garantir la survie de l'humanité suite à la crise née de la pandémie de Covid-19, l'auteur appelle à la création d'une nouvelle économie regroupant tous les secteurs qui se donnent pour mission la défense de la vie : la santé, la gestion de déchets, la distribution d'eau, le sport, l'alimentation, l'agriculture, l'éducation, l'énergie propre, le logement ou encore la culture. …

Some albums exist outside of time or place, gently floating on their own style and sensibility. Of those, the La’s lone album may be the most beguiling, a record that consciously calls upon the hooks and harmonies of 1964 without seeming fussily retro, a trick that anticipated the cheerful classicism of the Brit-pop ’90s. But where their sons Oasis and Blur were all too eager to carry the torch of the past, Lee Mavers and the La’s exist outside of time, suggesting the ’60s in their simple, tuneful, acoustic-driven arrangements but seeming modern in their open, spacy approach, sometimes as ethereal as anything coming out of the 4AD stable but brought down to earth by their lean, no-nonsense attack, almost as sinewy as any unaffected British Invasion band.