la Voz Humana

Taxi driver Jose begins his night shift bent on revenge after his brother's murder at the hands of a violent gang. But when an accident brings him unexpectedly closer to his party-girl fare Angela, the damaged pair must struggle against forces already set in motion, drawing them inexorably into the rain soaked underworld of Bogota.

Un homme attend huit ans pour se venger d'un crime que tout le monde a oublié.

Uno sconosciuto arriva in un villaggio. Da quel momento, iniziano a susseguirsi strani eventi la cui causa è da ricercare secondo la polizia nell'avvelenamento da funghi selvatici. Varie voci additano invece lo straniero come colpevole. L'agente di polizia Jong-Goo inizia a credere ai pettegolezzi dopo avere conosciuto Moo-Myeong. Quando sua figlia Hyo-Jin presenta gli stessi sintomi delle altre vittime, Jong-Goo chiede l'aiuto di uno sciamano.

Every day dozens of decommissioned school buses leave the United States on a southward migration that carries them to Guatemala

Annabella Allori (Margie Newton) attends the last moments of her dying brother (Dario Casalini), who tells her about a tape cassette which has recorded all aberrations suffered by him and their mother Giovanna (Francesca Guidato Berger). Annabella listens to the recordings and as we go back in time and see in flashbacks what happened to her brother Gabriele and mother, Annabella decides to open a law firm in the small town to execute her revenge. Soon, some of its most important and honorable citizens start to die.

Voor het eerst in achttien jaar keert de gepensioneerde Italiaanse mijnwerker, Luigi Bertone, terug naar Sicilië om er het huwelijk van zijn petekind bij te wonen. Onderweg krijgt hij af te rekenen met motorpech en leert hij Anita, een jonge liftster, kennen. Het meisje herstelt zijn wagen, maar steelt hem ook. Wanneer Luigi zijn auto wat later terugvindt, heeft Anita net een overval gepleegd. Samen slaan ze op de vlucht…

Ousmane Sembène was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most renowned African director of the twentieth century—and yet his name still deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plot—about a young Senegalese woman who moves to France to work for a wealthy white family and finds that life in their small apartment becomes a prison, both figuratively and literally—into a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M’Bissine Thérèse Diop, Black Girl is a harrowing human drama as well as a radical political statement—and one of the essential films of the 1960s.

The action takes place on Devil's Island, the tropical backwater where the notorious French prison was located. Three convicts, played by Humphrey Bogart, Aldo Ray, and Peter Ustinov, have escaped, and wait only for a ship to leave the next day. In the meantime, they become involved in the financial woes of an island shopkeeper (Leo G. Carroll) and his wife (Joan Bennett) and daughter, whose business is in danger from a rich, nasty relative (Basil Rathbone).

Chris et Zelda se rencontrent sur le bord de la route des vacances… et c'est le coup de foudre. C'est tellement fou et rapide que lorsque Chris est obligé de rejoindre le sous-marin sur lequel il est matelot, il oublie de demander à Zelda, la jolie russe, son adresse dans son pays lointain. Il ne reste plus qu'une solution : lancer un appel à témoin dans la célèbre émission prime-time de Jean-Pierre Bellac, ''Votre histoire d'amour m'intéresse''…

Two exotic dancers embark on a erotic friendship which takes a turn when one of them begins having recurring nightmares of her killing people in which the line between realty and fantasy begins to blur to the most extreme.